Acid House

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(Producer, b. 1963) Norman Cook, former bassist with The Housemartins, has since operated under a number of guises with huge success. As Fatboy Slim he managed to combine the engine room of dance with great rock sounds – including The Who – to create some of the greatest anthems of the 1990s. You’ve Come A Long Way, Baby (1998) remains the best shop window to his addictive sound. Subsequent Fatboy albums ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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(DJ, remixer, b. 1963) Training as a chef, Oakenfold found his calling as a DJ and scenemaker during the acid house, Ibiza club and the later trance boom. As an in-demand club DJ he also opened for a number of rock bands including The Stone Roses and U2. He began remixing and producing under the Perfecto banner in collaboration with Steve Osbourne with great success. Oakenfold remains one of the most ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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(Vocal/instrumental group, 1982–present) Glaswegian Bobby Gillespie was the drummer in The Jesus And Mary Chain before forming Primal Scream in 1982. Early releases paid tribute to the 1960s sound of The Byrds and Love before beginning to steer towards Cult-like rock territory on second album Primal Scream (1989). Discovering the acid-house scene was a revelation to the now stable line-up of Gillespie (vocals), Andrew Innes (guitar), Robert Young (guitar), Martin Duffy ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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(Dance/vocal group, 1990–present) After releasing the infectious ‘Charly’, Prodigy mainman Liam Howlett secured acid-house credentials with a series of singles, recruiting dancers Keith Flint and Leeroy Thornhill and singer MC Maxim to distract live audiences from his knob-twiddling. Music For The Jilted Generation (1994) displayed wide-ranging styles fused on to the frenetic beats. The Fat Of The Land (1997) broke the band worldwide via Flint-sung ‘Firestarter’, a UK No. 1. Invaders ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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In the mid-1980s, the Chicago DJ Pierre was fiddling around with a new piece of technology, the Roland TB 303 machine. Tampering with its bass sound produced all sorts of squiggly, complex patterns. Pierre and the DJ/producer Marshall Jefferson gave a 12-minute tape of these doodlings to a local DJ, Ron Hardy, who played it at the Music Box club. It became known as Ron Hardy’s Acid Trax, a reference to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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