Louisiana Blues

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(Piano, 1918–80) A New Orleans native, Roy Byrd brought an irresistible Caribbean feel to his piano-playing. The shaggy-haired Byrd got the nickname Professor Longhair from a club owner in 1948. Longhair first recorded his signature ‘Mardi Gras In New Orleans’ in 1949, the national R&B hit ‘Bald Head’ in 1950, and ‘Tipitina’ in 1953. Longhair endured tough times in the 1960s but enjoyed a resurgence in the 1970s. His work influenced ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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New Orleans is widely acknowledged as the birthplace of jazz, but it also produced its own indigenous brand of blues, which borrowed from Texas and Kansas City while also making use of Cajun and Afro-Caribbean rhythm patterns. A mix of croaking and yodeling, floating over the top of the music in an independent time scheme, Professor Longhair’s singular vocals added to his idiosyncratic charm. Influenced by New Orleans barrelhouse pianists Tuts ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
886 Words Read More
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