Skiffle

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(Vocals, b. 1940) Born Harry Webb in India, Cliff Richard is the ultimate British pop star, with over 100 UK hit singles to his credit since 1958, when ‘Move It’, widely regarded as the first credible British rock’n’roll record, reached the UK Top 3. More than a dozen UK No. 1s include 1959’s ‘Living Doll’ and ‘Travellin’ Light’, ‘The Young Ones’ (1962) and ‘Summer Holiday’ (1963), both title songs of movies ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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Anthony James Donegan was born in Glasgow, the son of a professional violinist, on 29 April 1931. The family moved to the east end of London when Tony, as he was then known, was two. He finally got the guitar he craved in his early teens. He attended his first jazz club soon after and was smitten by singer Beryl Bryden – their paths would cross again. He was also influenced ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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(Vocals, b. 1936) Born Thomas Hicks, Steele began playing ersatz British rock’n’roll at the London 2I’s coffee bar. Spotted by Fleet Street photographer John Kennedy, who became his manager, Steele co-wrote ‘Rock With The Caveman’ with Lionel Bart, and the single made the UK Top 20. In 1957, Steele covered ‘Singing The Blues’, which topped the UK chart. Later that year the biopic, The Tommy Steele Story, was released, and Steele ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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The 1950s was the decade when the straitjacket imposed by the recent world war was loosened a little – and rock took full advantage. The Sun studios in Memphis and Chess Records in Chicago were the places to be as the likes of Elvis, Jerry Lee Lewis and Chuck Berry turned the existing generation gap into a chasm. Though he did not always appear in vision, Bill Haley reaped the rewards ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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A cheap acoustic guitar, a washboard, some thimbles, a tea chest, a broom handle and a length of string, together with a modicum of musical talent – these were all that was required for skiffle, an amalgam of American jazz, blues and folk that caught on with Britain’s largely cash-strapped teenagers in 1956 and 1957, temporarily challenging the supremacy of rock’n’roll. Rhythmic and decidedly upbeat, skiffle was a white, Anglicized extension ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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