Instruments | Viol | Stringed
One of the most popular instruments in the sixteenth and seventeenth centuries, the viol, or viola da gamba, developed alongside the violin family. It has been central to the development of western art music.
It is thought that the viol developed from the vihuela, a Spanish guitar-like instrument. At some point a bow was used with the vihuela instead of it being plucked. This necessitated turning the instrument around so the bass rested between the player’s legs and the neck rose up, parallel to the player’s body. The bowed vihuela became known at the vihuela da gamba (or ‘leg vihuela’) and evidence from Valencian paintings made in the early 1500s suggests that the vihuela da gamba and the viola da gamba were initially very similar in design.
The viol quickly spread from its Spanish roots to other Mediterranean countries and by the mid-sixteenth century, it had become ubiquitous in both amateur and professional circles. At its best in ensemble, the consort of viols formed a vital part of Renaissance music making; it was combined with consorts of other instruments and was also immensely popular on its own. Many households would have a ‘chest of viols’ containing at least one instrument of each standard size.
Although the viol was made in many different sizes, three were most commonly used: treble, tenor and bass. The alto viol rarely appears in music or in writings, and the deeper contrabass viol was played mainly by professional soloists. All sizes of viol were played in the same way: they rested either on the calves or the knees and were bowed using an underhand grip with the palm facing upwards.
The viol was a fretted instrument so it was easy to play in tune. There were normally seven frets, each a half step apart, with an occasional eighth fret enabling each string to play a fully chromatic octave. Viols had six strings as standard, tuned in the sequence fourth–fourth–major third–fourth–fourth. So the treble viol was tuned d–g–c'–e'–a'–d'', the tenor G–c–f–a–d'–g' and the bass D–G–c–e–a–d'. The strings were made of gut, with lower-pitched strings being covered in silver or another metal to aid their tone. The bow would be like an archer’s bow and ideally light and of medium tension.
Fall and Rise
Since neither the bow nor the strings of the viol are at high tension, it is a quiet instrument. Its timbre is light and extremely colourful, perfectly suited for playing the many-voiced music for which it is famous. The development of the violin and its siblings, however, inevitably brought about the decline of the viol. In spite of the ease with which the viol could be played, the violin’s strength and agility was unbeatable and interest in the viol had dwindled by the mid-1700s.
Curiously, though, it was not long before interest was revived. A series of concerts historiques in France in the 1830s was designed to rediscover the viol’s qualities,...
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
The ultimate story of a life of rock music, from the 1950s to the present day.
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.