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Because the name ‘hurdy-gurdy’ was abducted by the nineteenth-century barrel organ, this instrument is rarely taken as seriously as it deserves. Known as the ‘organistrum’ from the tenth to twelfth centuries, it was a stringed instrument played by a cranked resined wheel, not a bow. It required two operators, one of whom would crank and one play ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Just as virtuoso composer-violinists dominated the instrumental scene in the seventeenth century, and composer-pianists in the eighteenth and nineteenth, so were singers in constant demand throughout the medieval and Renaissance periods. In northern France and modern Belgium and the Netherlands, a rich tradition of cathedral choirs produced a thriving community of singers who travelled throughout Europe, spreading ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

In his brief, meteoric career, Guitar Slim (1926–59) electrified the blues in more ways than one. While most bluesmen didn’t alter their style as they moved from acoustic to electric guitar in the Forties and Fifties, Slim developed a uniquely electric style, utilizing a 150-ft (46-m) (some say 350-ft/107-m) cable between his guitar and amplifier and creating ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Master of guitar-generated sound effects, Adrian Belew (b. 1949) makes his Parker Deluxe guitar not only sing but also scream, squawk, roar, tweet and talk in elephant tongue. Best known for his time in King Crimson during the early Eighties as comic foil to Robert Fripp’s relatively nerdy straight man, Belew is one of the most ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Considered one of modern jazz guitar’s ‘big three’ guitarists – along with Pat Metheny and Bill Frisell – John Scofield (b. 1951) is also one of the most versatile players of his generation. Conversant in fusion and hard bop as well as in the heady grooves of the jam-band scene, his stew of blues and jazz mixed with post-bop and ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Jazz and fusion guitarist Stanley Jordan (b. 1959) caught listeners’ attention with his touch technique, an advanced form of two-handed tapping, for playing guitar. By quickly tapping (or ‘hammering’) his finger down behind the appropriate fret with varying force, Jordan produced a unique legato sound not usually associated with tapping. Jordan was born in Chicago, Illinois. He ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Guitar One magazine declared him a ‘modern-day master of the Telecaster’. In the 2007 Guitar World readers’ poll, his instrumental guitar tour de terror The Devil Knows My Name was named Best Shred Album of 2007. Also in 2007, he graced the covers of Guitar Player and Guitarist magazines, while in 2008, he was featured on the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

One half of the infamous ‘Toxic Twins’, along with vocalist Steven Tyler, Aerosmith’s Joe Perry projects a swagger and ultra-cool stage presence that few guitarists can match. Fewer still possess his capacity for muscular, gritty soloing and hook-laden riffing. For over 30 years now, Perry and his stinging guitar tone, generated most often via his signature Gibson ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Britpop guitarist Noel Gallagher (b. 1967) was born in Manchester, England. He began teaching himself guitar at the age of 13, later adopting Johnny Marr as his role model. His other inspirations were primarily British guitar bands: the Kinks, the Who, Slade, the Jam and the Stone Roses. After unsuccessfully auditioning for the role of lead ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The first bluesman to record with an electric guitar, T-Bone Walker (1910–75) shaped the course of post-war blues, influencing everyone from B.B. King and Chuck Berry to Jimi Hendrix and beyond. B.B. King acknowledges that the first time he heard Walker, he knew he had to get an electric guitar, and Berry and Hendrix took ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Märk An-twan’ Shar-pont-ya’) 1643–1704 French composer Charpentier studied in Italy during the 1660s. There he familiarized himself with the instrumental and vocal forms of Carissimi and, above all, that of the oratorio. When he returned to Paris he joined the musicians of the Duchess of Guise and in 1673 became associated with Molière’s Comédie Française. In 1687, Charpentier composed ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Zhan Ba-test’ Lü-le’) 1632–87 French composer Lully was an Italian by birth, but as a youth he accompanied the Chevalier de Guise to Paris, where he remained for the rest of his life. In 1653, Lully danced with the young King Louis XIV in the Ballet de la nuit, and it was from this point that he began ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(E-les-a-bet’ Klod Zha-ka’ de la Gâr) 1665–1729 French composer and harpsichordist Jacquet de la Guerre was a child prodigy. The daughter of an organ builder, she was described by the Mercure Galant in 1678 as la merveille de notre siècle (‘the marvel of our century’). After performing for Louis XIV, she was taken to live at Versailles, where her ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Me-shel’ Re’-share de La-län-de) 1657–1726 French composer During the mid-1660s Lalande, along with Marais, was a member of the choir at St Germain-l’Auxerrois in Paris and later, as an organist, he was the mentor of Couperin. In 1683 he was appointed one of four sous-maîtres of the Chapelle Royale, gradually acquiring all the other major musical positions ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Zhan Mar-re Le-klâr) 1697–1764 French composer and violinist Born in Lyons, Leclair came from a family of musicians. He studied the violin in Italy under Giovanni Battista Somis (1686–1763). By the 1720s he was establishing a reputation as a violinist in Paris. In 1728 he made his debut at the Concert Spirituel, playing his own sonatas and concertos. In 1733 ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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