SEARCH RESULTS FOR: Chano Pozo
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(Drums, percussion, 1915–48) Cuban percussionist Chano Pozo was Dizzy Gillespie’s principal collaborator in melding Cuban music with jazz (a.k.a. ‘Cubop’). Their historic 1947 recordings ‘Manteca’ and ‘Cubana Be, Cubana Bop’ (co-written with George Russell) were the first to integrate real Afro-Cuban polyrhythms within a bop idiom. Their association proved brief; Pozo was shot dead in a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Charlie Parker, also known as ‘Yardbird’ or ‘Bird’, was a largely self-taught musical genius with acute self-destructive tendencies. His career exemplified both the creative power and the destructive social ethos of bebop. His music burned as brightly as any in jazz, but his lifestyle sent out the wrong message to too many young musicians, despite his frequent warnings ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

John Birks ‘Dizzy’ Gillespie shares the credit for creating bebop with Charlie Parker, but his place in the history of twentieth-century music rests on a considerably wider achievement. He was born in Cheraw, South Carolina in 1917 and acquired his nickname in the 1930s. He moved to New York and worked in big bands with Teddy Hill, Lionel ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Latin jazz is commonly defined as the fusion of American jazz melodies, improvisation and chords with Latin American rhythms, predominantly those of Afro-Cuban origin. How this marriage of styles occurred is also one of the most significant cultural musical exchanges in history. Mention the birth of Latin jazz to any aficionado of the art form and they will invariably reply ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, guitar, b. 1939) Texas-born Williams worked in 1964 with folk trio The Pozo-Seco Singers. Encouraged by producer Cowboy Jack Clement, his solo career began in 1971, and resulted in gentle hits like ‘Amanda’ (1973), ‘You’re My Best Friend’ (1976) and ‘Tulsa Time’ (1978). He enjoyed immense popularity in the UK, where he had success with ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The names of this array of landmark artists whose music either straddled or transcended specific genres, – Johnny Cash, Dolly Parton, Tammy Wynette, Loretta Lynn, George Jones, Conway Twitty, Charley Pride and Buck Owens among others – have become synonymous with country music. During the 1950s, 1960s and 1970s, country’s popularity penetrated ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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