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(Various saxophones, 1913–91) Charlie Barnet led a successful big band from 1933 until the late 1940s and was one of the earliest white bandleaders to employ black musicians, beginning with Benny Carter as a guest soloist and arranger in 1934. He introduced singer Lena Horne as an unknown in 1941 and featured many notable musicians in his line-ups. His ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Charlie Christian (1916–42) pushed guitar to the forefront of the big-band era, furthering the instrument’s evolution from a provider of acoustic accompaniment to an electrified foreground instrument that could pound out rhythm like a drum set or solo out front like a horn. His playing, in fact, was likened to jazz horn players who were leading the evolution ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Charlie Christian was the last great figure to emerge from the jazz scene of the 1930s. He not only brought a perfectly formed approach to his music, but also an entirely new musical platform – the electric guitar. His career in the big time was brief, but Christian was a lighthouse whose beam still illuminates anyone with serious intentions ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, guitar, fiddle, b. 1936) Daniels was a North Carolina rock’n’roller who had a song cut by Elvis Presley and who played on Bob Dylan’s Nashville Skyline. Daniels formed his own band in 1972, modelled on the southern rock of The Allman Brothers Band, and had a hit with the 1973 tall tale, ‘Uneasy Rider’ ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1932–98) A cult hero, especially in Europe, Charlie enjoyed no commercial success whatsoever but was revered for his authentic rockabilly sound. Born near Holly Springs, Mississippi, he first recorded for Sun in 1954, but cut his finest rockabilly for King and Meteor. His unusual vocal technique – complete with hiccups and stutters ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Bass, b. 1937) Charlie Haden’s famed work with Ornette Coleman represents just one small facet of the versatile bassist’s career. As a child in Iowa he performed on radio with his family’s country and western band. At 15 he took up the bass while recovering from polio, acquiring a novel technique that makes his notes resonate deeply. Haden moved ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, b. 1967) The leading exponent ‘acid jazz’, guitarist Charlie Hunter has learned to emulate the organ-bass runs of his inspiration, Larry Young, on a customized guitar. Raised in Berkeley, California, the son of a guitar repairer, he was a street musician in Europe prior to founding Disposable Heroes of Hiphoprisy in the early 1990s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, guitar, b. 1944) Often compared to his contemporary Paul Butterfield, Musselwhite has an exceptionally fluid and melodic harmonica style that places him head and shoulders above most competitors. He debuted on record in 1967 and has remained faithful to the Chicago style in his own projects and in supporting work for Elvin Bishop, Big ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Charlie Parker, also known as ‘Yardbird’ or ‘Bird’, was a largely self-taught musical genius with acute self-destructive tendencies. His career exemplified both the creative power and the destructive social ethos of bebop. His music burned as brightly as any in jazz, but his lifestyle sent out the wrong message to too many young musicians, despite his frequent warnings ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, banjo, 1892–1931) A textile-mill worker and banjo player, Poole led one of the finest of old-time bands, The North Carolina Ramblers, with guitarist Roy Harvey (1892–1958) and a succession of fiddlers headed by Posey Rorer. Their first release, ‘Don’t Let Your Deal Go Down Blues’ and ‘Can I Sleep In Your Barn Tonight, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, piano, 1932–95) Arkansas-born Rich won his greatest success as a country crossover act in the first half of the 1970s, topping both US country and pop charts with 1973’s million-selling ‘The Most Beautiful Girl’. This was actually his second million-seller that year – ‘Behind Closed Doors’ had reached the US pop Top 20, and was CMA ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, banjo, c. 1890–1938) New Orleans-born Charlie Jackson brought a jazzman’s sophistication to an instrument still too often overlooked by blues historians. He alternated single-string solos with percussive chording and dexterous fingerpicking, allowing him to bridge styles and genres with rare facility. He released more than 60 sides of his own, and he also recorded with Freddie ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The legend of Sun Records seems to expand and shine brighter with every passing year, as successive generations discover the almost unbelievable array of musical gems that were created at that modest little studio at 706 Union Avenue, Memphis. Sun was the brainchild of one man and it is no exaggeration to say that without his contribution, not ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Country music and gospel have always been close partners, since many gospel acts come from the American South, and Nashville, the home of country music, lies in the heart of the Bible Belt. Numerous influences abound within the Church, stretching from traditional shape-note singing that goes back several hundred years, to today’s contemporary and Christian ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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