If swing in its most characteristic form was a hot and hard-driving music, William ‘Count’ Basie showed that there was a cooler and softer side to the music, an alter ego that even at swift tempos could move with a relaxed, almost serene restraint that subliminally mirrored the streamlined design forms of the Machine Age, in which ...
c. 1627–98, Italian Poet and librettist Count Nicolo Minato wrote 11 texts for the Venetian opera houses, including Cavalli’s Pompeo Magna (‘Pompey the Great’, 1666). In 1669, the Emperor of Austria, Leopold I, appointed Minato his court poet, and some very exciting opportunities opened up for the count. At that time, the court composer ...
Opera first reached Naples when Venetian companies brought their productions to the city after 1648. At that time, the city was recovering from the spate of murders and massacres that had taken place during the revolt against Spanish rule led by the fisherman Tommaso Aniello Masaniello. Masaniello was killed in 1647 by agents working for the Spanish Viceroy Count d’Onate. ...
The Teatro alla Scala – known outside Italy as La Scala, Milan – is one of the world’s most famous opera houses and originally opened in the sixteenth century as the Salone Margherita in the Palazzo Ducale. Both this theatre and another built on its site, the Teatro Regio Ducale, burned down, in 1708 and 1776 respectively. ...
A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...
The saxophone occupies an unusual position in that it is a bespoke instrument that has barely changed since its creation. Although it does not occupy the position in the orchestra its creator had envisaged, Adolphe Sax’s invention has played a central part in music ever since it burst on to the scene in the 1840s. Sax’s father, Charles, ...
Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...
The humanist principles of the Enlightenment removed opera from the extravagant world of baroque and landed it in entirely new territory. After 1720, Baroque became a target for changes initiated by the scholar Gian Vincenzo Gravina of the Arcadian Academy in Rome. Baroque operas based on classical myths had developed exaggerated and ultimately ludicrous forms. Under the Enlightenment principles that ...
Composed: 1902 Premiered: 1902, Milan Libretto by Arturo Colautti, after Eugène Scribe and Ernest Legouvé’s play Adrienne Lecouvreur Act I Backstage at the Comédie-Française, the stage manager Michonnet tries to propose to the actress Adriana Lecouvreur, but she loves Maurizio, who is the Count of Saxony in disguise. She gives Maurizio some violets. An intercepted letter ...
Strauss’s final opera marked a belated return to form. He had suffered since the end of his collaboration with Hofmannsthal and jettisoned his original librettist, Joseph Gregor, in favour of the conductor Clemens Krauss. The conception was a simple but subtle one in which the characters in the piece decide to write an opera. Only at the end is ...
‘The Knight of the Rose’ For the follow-up to Elektra, Strauss declared he wanted to write a Mozart opera. Despite Hofmannsthal’s protests about a light, Renaissance subject set in the past, the librettist soon came up with a scenario that delighted Strauss. The correspondence between librettist and composer was good-natured and respectful. Each made suggestions to the other ...
‘The Merry Widow’ Composed: 1905 Premiered: 1905, Vienna Libretto by Victor Léon and Leo Stein, after Henri Meilhac’s L’attaché d’ambassade Act I Baron Zeta, the Pontevedrin ambassador in Paris, must ensure that only a Pontevedrin marries Hanna Glawari, a rich, glamorous widow. All the French guests swoon over her at an embassy reception. Zeta thinks ...
‘The Barber of Seville’ Rossini’s opera was given its first performance, in Rome, on 20 February 1816, but not under the name by which it is now known. The reason was that Rossini’s Il barbiere was faced with a rival – an opera on the same subject by Giovanni Paisiello, that had first been produced in St Petersburg ...
‘The Barber of Seville’ Composed: 1782 Premiered: 1782, St Petersburg Libretto by Giuseppe Petrosellini, after Pierre-Augustin Caron de Beaumarchais Act I Count Almaviva stands below the window of Rosina, ward of Dr Bartolo, serenading her. Figaro, a self-important barber, arrives. Rosina appears at the window and drops a note for the Count, asking him ...
‘The Secret Marriage’ Composed: 1792 Premiered: 1792, Vienna Libretto by Giovanni Bertati, after George Colman and David Garrick Act I Carolina, Geronimo’s daughter, is secretly married to Paolino, her father’s clerk. The couple are trying to find a way to tell Geronimo of their marriage; he would not approve of such a lowly match. Paolino comes ...
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David Bowie
Fantastic new, unofficial biography covers
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