SEARCH RESULTS FOR: David%20Sanborn
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(Vocals, b. 1981) Initially inspired by a musical father (a reggae bass guitarist), Craig David’s first appearance on the music scene to those outside the Southampton club circuit was his vocal for Artful Dodger’s ‘Rewind’ (1999). Subsequently signing to Telstar, David made his name with melodic, often acoustically laced R&B that reflected his casanova lifestyle in a down-to-earth ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, guitar, b. 1939) Coe broke through first as a songwriter, penning tunes for Tanya Tucker (1973’s No. 1 ‘Would You Lay Me Down (In A Field Of Stone)’, Willie Nelson and George Jones. Coe scored his own hit with 1975’s ‘You Never Even Called Me By My Name’, followed by five more Top 25 hits, including ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

One of the great chameleon figures in rock, David Bowie has also been among the most influential. Born David Robert Jones on 8 January 1947, his earliest records with The King Bees, The Mannish Boys and The Lower Third were unsuccessful. In 1966 he changed his name to David Bowie and combined his songwriting with an interest in ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

As the guitarist in Pink Floyd, David Gilmour’s place in the pantheon of guitar heroes is guaranteed. But it’s not simply his playing on albums like The Dark Side Of The Moon that has assured his status. His meticulous attention to the sound and tone of his guitar in the studio and in concert has earned the universal admiration of ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Singer-songwriter, b. 1968) Born near Manchester, the Dylanesque Gray toiled throughout the 1990s, while seemingly only Irish audiences listened. But mainstream success would not escape a songwriter with Gray’s talent, and soon chart hit after chart hit (‘Please Forgive Me’, ‘Babylon’) snatched mass radio airplay, bolstered by a middle-aged fan base and anyone who liked a ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Mandolin, b. 1945) Grisman was a city kid from New York who fell so deeply in love with the bluegrass music of Bill Monroe that he devoted himself to mastering his repertoire and his instrument, the mandolin. Grisman produced a record by his bluegrass heroes Frank Wakefield and Red Allen in 1963 and joined their band in 1966. But ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1908–74 Russian violinist Oistrakh studied at the Odessa Conservatory and made his Leningrad debut in 1928. He won several competitions in the 1930s, and came second to Ginette Neveu (1919–49) in the 1935 Wieniawski competition. His international career developed after the war. Many composers wrote works for him, notably Shostakovich, whose First Concerto he played at his New ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Alto saxophone, b. 1945) One of the most instantly recognizable and widely imitated voices in jazz during the 1980s, Sanborn emerged from the New York studio session scene – and a seat in Gil Evans’s orchestra – to gain crossover success worldwide on the strength of seven R&B-infused outings for Warner Bros., beginning with 1980’s breakthrough album Hideaway. ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Young mod. Hairy hippie. Ziggy Stardust. Aladdin Sane. Halloween Jack. The Thin White Duke. Plastic Soulman. Godfather of the New Romantics. Tin Machinist. Across the course of his four decades-plus career, David Bowie (1947–2016) adopted more personas and musical genres than just about any other musical icon. He viewed his music and public profile as intertwined, at one point ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

As is the case with pretty much all stars, before the beautiful butterfly came the unremarkable caterpillar. Bowie was born not on Mars but in Brixton, South London. He started life as David Robert Jones on 8 January 1947. His father was a promotions officer for the children’s charity Barnardo’s and his mother a cinema usherette. He had one ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

David Bowie has inspired more musicians than most recording artists, but he naturally also had his own formative influences. Who Does He Love ? It almost goes without saying that Elvis Presley was important to him: few of the musicians who became teenagers in the Sixties weren’t overwhelmed by The King’s stunning larynx and greaseball beauty. Perhaps revealingly, Bowie ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

It’s easy to mock rock stars who pursue parallel careers as thespians. Firstly, because said parallel career has usually only been opened to them by their ‘proper’ job and, secondly, because the presumption of thinking they can excel at something for which others often study for years is mildly contemptible. Perhaps it’s something to do with his early ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

Bowie’s eponymous debut album appeared in June 1967. David Bowie was the work of a man who didn’t yet know quite what to do with his talent. However from 1971 to 1973 Bowie would, with the aid of a newly assembled band, produce a trio of albums that for many are both his finest moments and high watermarks in ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

Bowie’s mega-success with his artistic low point was followed by what can only be described as a lost decade. A Homeland No. 1 At Last In 1979 Bowie had a non-album UK Top 10 hit with ‘John I’m Only Dancing (Again)’, a song that – the old rascal – bore no relation to his 1972 non-album No. 12 hit ‘John I’m ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

Having previously declared that he would never record outside Tin Machine, Bowie proceeded to renege on both this and, in time, his assertion that he would not play his old hits for live audiences. Nobody seemed inclined to sue him for breach of promise. The fact that he once again engaged the production services of Nile Rodgers hardly ...

Source: David Bowie: Ever Changing Hero, by Sean Egan
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