By the end of the 1930s, the Swing era was in full force, ushered in by big bands led by Benny Goodman, Chick Webb, the Dorsey brothers (Jimmy and Tommy) and Glenn Miller. New Orleans jazz and its stylistic off-shoot, Dixieland, had both largely faded from popularity. New Orleans pioneers King Oliver and Jelly Roll ...
Mention of the folk revival is generally applied to the late-1950s and early 1960s, when a new generation of enthusiasts earnestly set about exploring the history of folk music and recreating its passionate, social ideals. There had been other folk revivals throughout history, but they tended to stem from the middle classes in search of a purer identity ...
(Instrumental group, 1917–25) The Original Dixieland Jass Band were five young white musicians from working-class uptown New Orleans – Nick LaRocca (cornet), Larry Shields (clarinet), Eddie Edwards (trombone), Tony Spargo (real name Sbarbaro, drums) and Henry Ragas (piano). All alumni of ‘Papa’ Jack Laine’s stable of bands, they went to Chicago and then to New York, where ...
Hank Williams and George Jones would have found the whole notion of alt-country unfathomable. Why would anyone seek an alternative to bestselling country records ? For these sons of dire southern poverty, the whole point of making country records was to sell as many as possible and maybe catch hold of the dignity and comfort that a middle-class life might ...
When Steve Earle (b. 1955) was released from prison on 16 November 1994, it had been four years since he had released a studio album and three years since he’d done a tour. During that time lost to heroin and crack, much had changed in the world of country music. The charismatic but mainstream-pop-oriented Garth Brooks (b. 1962) was ...
The most influential country act of 2001 was a band that didn’t even exist. The Soggy Bottom Boys were the prime attraction on O Brother, Where Art Thou ? the soundtrack album that topped the country and pop charts and sold more than four million copies. The group revived the late 1930s and early 1940s sound when old-time string-band music ...
In 1981, Sam Bush (mandolin, vocals, b. 1952) lost half of his band, The New Grass Revival, to road weariness. Courtney Johnson (banjo, 1939–96) and Curtis Burch (guitar, vocals, b. 1945) were exhausted by the tours with Leon Russell and the club and festival dates in between. So Bush and his remaining partner ...
It makes sense that Australia would be the one country outside North America to develop an important country-music scene of its own. Like the USA and Canada, Australia had a large, under-populated frontier that was settled by English, Irish and Scotch immigrants who brought their folk songs with them. Roughened and toughened by frontier life, those songs ...
In 1995, Alison Krauss (vocals, fiddle, b. 1971) achieved a level of success no other bluegrass act had ever matched. Her 1995 retrospective album, Now That I’ve Found You: A Collection, went double platinum, and she won the CMA Awards for Single, Female Vocalist, Vocal Event and Emerging Artist as well as the ...
Belleville is a small town in downstate Illinois, south-east of St. Louis. Like a lot of mid-western towns, it was hit hard in the 1980s by the twin whammy of closing factories and faltering family farms. If punk-rock is the sound of factories and if country music is the sound of farms, it makes sense that a successful ...
The Research Triangle, a cluster of three major universities (Duke, North Carolina and North Carolina State) in the Appalachian foothills, was a natural breeding ground for an alt.-country scene, thanks to its rural Southern setting and its density of bohemians. It had been an outpost of the Georgia-centered alternative-rock scene that had produced R.E.M ...
(Vocals, guitar, b. 1955) Dave Alvin did most of the Springsteen-like songwriting and his brother Phil Alvin (vocals, guitar, b. 1953) did all the lead singing for The Blasters, one of the best roots-rock bands of the ’80s. Dave left to join X and then left that band for a solo career that increasingly emphasized the ...
(Vocal/instrumental group, 1990s) Blood Oranges never sold many records, but they made two terrific albums (1990’s Corn River and 1994’s The Crying Tree) thanks to some smart songwriting, a savvy mix of bluegrass and British folk-rock and the contrast between fizzy male vocals and melancholy female vocals. The band was founded by Jimmy Ryan (vocals, mandolin, ...
(Vocals, guitar, piano, b. 1961) Iris was the youngest of 14 children in Paragould, Arkansas, and she grew up singing gospel and hillbilly songs in a loud, nasal voice. In 1987 she started writing smart, sharply sketched songs and sang them in her undiluted twang on 1992’s Infamous Angel and 1994’s My Life. Merle ...
(Vocals, guitar, b. 1951) Escovedo had played in the country-rock bands Rank And File and The True Believers, but his 1992 solo debut album Gravity unveiled an unexpected talent pursuing an unprecedented sound. Using acoustic guitar, steel guitar and cello to create the quiet intimacy of chamber music, his brooding original songs blended alt.-country, ...
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