SEARCH RESULTS FOR: Duran Duran
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(Vocal/instrumental group, 1978–present) The most glamorous of the new romantic bands, Birmingham’s Duran Duran (named after the evil scientist in the movie Barbarella) looked very good in the ambitious videos that accompanied their many Top 10 hits. These included ‘Girls On Film’ (1981), ‘Hungry Like The Wolf’, ‘Save A Prayer’ and ‘Rio’ (all 1982), ‘The Reflex’ and ‘Wild Boys’ ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocal/instrumental group, 1977–95) Led by guitarist Mark Knopfler with brother David (guitar), John Illsley (bass) and Pick Withers (drums), Dire Straits went from playing the London pub circuit to a US hit album. Knopfler’s inventive, plectrum-free guitar playing, street-poet lyrics and fine pop rock tunesmithery combined to launch their huge career. Their debut single, ‘Sultans Of Swing’, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, b. 1952) In addition to writing, producing and performing with Chic, Rodgers, along with long-time collaborator Bernard Edwards, undertook similar duties for Sister Sledge. The pair worked with Diana Ross on her 1980 Diana album and Deborah Harry’s Koo-Koo (1981). Rodgers went on to helm many high-profile albums – David Bowie’s Let’s Dance (1983), Madonna’s ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

As a session guitarist, co-leader of the smash late-Seventies band Chic and star-making producer, Nile Rodgers (b. 1952) combined genres to create unexpected hits seemingly out of thin air. His funky guitar playing (along with partner Bernard Edwards’ bass) helped make Chic the most successful non-disco disco band, and his innate sense of rock and soul made a ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Although many would contend that 1980s pop was typified by an empty, aspirational overload of bad haircuts and cynical blandness, the decade produced many of pop’s most individual artists. In addition, it was arguably defined by 1985’s Live Aid – a global charity event unmatchable in its reach, and definitive in its marking of the period. The ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Born out of a reaction to both punk and 2-Tone’s politics and anti-star stance, the British synth-pop wave of the early 1980s brought almost instant change to the UK pop scene. Moreover, the US success of the principal protagonists signalled the biggest ‘British Invasion’ since The Beatles and The Rolling Stones transformed American pop in the 1960s. Mixing a ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

As the genre’s name so boldly implies, timing and image were both of critical importance to the realm of nu metal. In pure musical terms there was little to unite the scene’s leading exponents, save for the radical detuning of their instruments and a desire to distance themselves from such old-school hard rock favourites as Iron Maiden and Metallica. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

This was a decade when the impact of dance culture on rock and vice versa sometimes led to exciting results: it opened with ‘Thriller’ and closed with the Madchester scene of Happy Mondays. Punk had subsided to become the less threatening new wave movement, which, along with the new romantics, dominated the early days of the decade. As ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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