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(Oi’-gan Dal’-ber) 1864–1932 German pianist and composer Born in Glasgow to a ballet composer, at 17 D’Albert moved to Vienna, befriending the great Wagner conductors Richter and Bülow, as well as Brahms and Liszt, with whom he studied. Widely admired as a piano virtuoso (several of his six wives were noted musicians), D’Albert was increasingly drawn to operatic composition. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1864–1932, German Born in Glasgow, D’Albert’s parents were German, with French blood. D’Albert eventually took Swiss nationality but not before he had studied with Arthur Sullivan in London, Hans Richter in Vienna and Liszt in Weimar. D’Albert was a prolific composer and completed some 20 operas of widely differing styles and subjects. His most publicly successful work ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Albert Clifton Ammons was born in Chicago, Illinois in March 1907. As a young man he learned from Jimmy Yancey, who cast a long shadow over Chicago blues pianists through his work at rent parties, social functions and after-hours jobs. Ammons came to know other pianists and the blues specialists gathered together in Chicago to create a coterie ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Various saxophones, 1936–70) Albert Ayler was one of the most controversial free-jazz performers. Eccentric and tirelessly inventive, he shifted ensemble roles in his music so that drummers and bassists were on equal ground with the horns. Ayler influenced John Coltrane and many younger saxophonists, and his recordings gradually moved from free jazz towards rock and soul themes. Spiritual ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1932–93) Collins’s highly original and bold, chiselled tone – achieved through an idiosyncratic tuning and high volume – earned the Texan his nickname ‘The Iceman’. The moniker was abetted by a string of chilly-themed, early 1960s instrumental hits that incorporated R&B rhythms, including the million-selling ‘Frosty’, ‘Sno Cone’ and ‘Thaw Out’. Although his cousin ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Few blues guitarists had more style and presence than Albert King (1923–92). At 6ft 4in (1.93m) and 250lbs (113kg), he cut an imposing figure onstage. Equally distinctive was his Gibson Flying V guitar, a right-handed instrument that King played left-handed and upside down. This gave him an unusual, tormented sound when he bent the strings on his fretboard. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Albert King’s late 1960s and early 1970s recordings for the Stax label remain cornerstones of modern blues. Tunes like ‘Born Under A Bad Sign’, ‘Crosscut Saw’ and ‘I’ll Play the Blues For You’ are also an antidote to the over-the-top playing indulged in by so many contemporary blues guitarists. For King, a six-foot-four, 250-pound man possessed of a big ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, songwriter, b. 1943) Englishman Albert Lee first attracted attention playing with British R&B singer Chris Farlowe in the mid-1960s, and played in several British bands before working as a ‘hired gun’ for legendary acts like The Crickets, Jerry Lee Lewis and most notably The Everly Brothers. In 1976, he replaced his hero, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Rock guitarist Albert Lee was born in Leominster, Herefordshire in 1943. The son of a musician, Lee started his musical career on piano, but like many of his generation, took up the guitar upon the arrival of rock’n’roll, inspired in particular by Buddy Holly. He played in various bands after leaving school at the age of ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Al’-bârt Lôrt’-zing) 1801–51 German composer Lortzing’s youthful experience in theatres – acting, singing and conducting – was of immense value to his later vocation as a composer of operas, the largest and most important part of his output. His comic operas are his most characteristic works, portraying a homely, sentimental humour that has proved hugely popular in Germany. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Trombone, 1928–2005) Although he played violin and guitar, Frankfurt native Albert Mangelsdorff did not take up the trombone until the age of 20. However, despite this relatively late start, he became a pioneer of multiphonics on the horn and a leader of the European avant-garde. Recordings with pianist John Lewis and sitarist Ravi Shankar in the 1960s ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1875–1965 German/French organist Born in Alsace, at that time part of the German Empire, Schweitzer studied in Paris with Charles Widor (1844–1937), who encouraged him to write his book on J. S. Bach. Schweitzer also studied organ building, and was convinced of the unsuitability of the modern organ for Bach’s music. Introduction | Modern Era | Classical Personalities ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Country music and gospel have always been close partners, since many gospel acts come from the American South, and Nashville, the home of country music, lies in the heart of the Bible Belt. Numerous influences abound within the Church, stretching from traditional shape-note singing that goes back several hundred years, to today’s contemporary and Christian ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Bagpipe Somewhere, perhaps in Mesopotamia, about 7,000 years ago, a shepherd may well have looked at a goat skin and some hollow bones and had an idea for a new musical instrument: the bagpipe. In the early Christian era, the instrument spread from the Middle East eastward into India and westward to Europe. By the seventeenth ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Composed: 1974–75 Premiered: 1976, Avignon Libretto by Christopher Knowles, Lucinda Childs and Samuel M. Johnson Einstein on the Beach is divided into four acts, separated by five intermezzi, which allow for set changes. The performance is continuous and the audience are at liberty to leave and return as they wish. There is no plot, but there ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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