SEARCH RESULTS FOR: Guillaume Du Fay
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(Ge-yom’ Düfa’) c. 1397–1474 French composer Du Fay is regarded as the leading musical figure of his generation, and his reputation in his own time is emphasized by his employment at many of the most important musical centres in Europe. He grew up in Cambrai, where his skills were recognized early by the ecclesiastical authorities, and in his late ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

In order to put Western classical music into a global and historical context, one must survey the music of ancient civilizations as well as the traditions of the non-Western world. From what is known of this music it was – and is – performed in a vast range of cultural environments and with many functions other than for entertainment in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The seven centuries covered here saw, essentially, the making of modern Europe. They saw the rise of the papacy and its numerous conflicts. They saw the shaping and reshaping of nations and empires. Yet beyond, and often because of, these conflicts and changes, they also saw the formation of great cultures. As nation met nation in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Classical ideals began to emerge and take shape in musical treatises in the late fifteenth century. One of the most famous exponents of this was Johannes Tinctoris (1430–after 1511), who, in his writings, claimed that music had been reborn in the works of John Dunstaple (c. 1390–1453) and his followers around 1440. Also central to Renaissance thinking about music ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

c. 1390–1453 English composer Dunstaple was the best known of an influential group of English composers which included Power. To judge by the number of his works in continental manuscripts, he was probably one of the most important composers of his day in Europe, although he may not have travelled particularly widely. He wrote early Mass cycles, including ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ge-yom’ da Ma-sho’) c. 1300–77 French Composer and Poet Machaut was the most important poet-composer of fourteenth-century France and had a wide and enduring influence. He was in constant demand by the greatest noble patrons of his day, and his music reflects this patronage. He was unusual, although probably not unique, among medieval writers in that he made an ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The racket was a short double-reed instrument that looked like a kaleidoscope. It had nine parallel bores, all connected at alternate ends to form a continuous tube, with eight of them arranged around a central ninth. In this last a reed was inserted on a staple, much as in a shawm. The fingerholes were at the front and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Southern-rock guitarist Duane Allman was born in Nashville, Tennessee in 1946. Allman was inspired to take up the guitar by his brother Gregg. At first, they played country music, their initiation into the blues coming when the brothers saw B.B. King performing in Nashville. The pair began playing professionally in 1961, first in The Allman Joys ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Rock’n’roll guitarist Duane Eddy was born in Corning, New York in 1938. His interest in the guitar began when he was five, inspired by singing film-cowboy Gene Autry. In 1951, the family moved to Arizona. While playing guitar in a country duo, Duane met songwriter, producer and disc jockey Lee Hazelwood. The pair embarked on a ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The revival and imitation of ancient theatrical genres in sixteenth-century Italy bore fruit in seventeenth-century England and France in the works of the great dramatists of those countries: William Shakespeare and Christopher Marlowe, Pierre Corneille and Jean Racine. In Italy, however, the sixteenth-century innovations in spoken drama were followed in the next century not by a great national ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

More sophisticated diplomatic relations between states in the late Baroque era resulted in a time of relative peace – for a short period at least – during which the arts flourished. As in the Renaissance and early Baroque eras, writers, artists and musicians turned to the classical antiquity of Greece and Rome for their standards and their in­spiration. At ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

By the eighteenth century many musicians had become accustomed to travelling far from their native cities or countries in search of employment, or in response to invitations from rulers of different states. In the late-Baroque period this type of wandering existence had become a standard feature of musical life in Europe, involving singers, instrumentalists and composers, in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Enlightenment was a great wave of thought in the eighteenth century that combated mysticism, superstition and the supernatural – and to some extent the dominance of the church. Its origins lie in French rationalism and scepticism and English empiricism, as well as in the new spirit of scientific enquiry. It also affected political theory in the writings of ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

During the mid-1960s, America’s military action in Vietnam was escalating out of control; students around the world were becoming more politically involved, civil rights and feminism were hot issues and the burgeoning youth movement was turning onto the effects of mind-bending drugs. Accordingly, certain strains of popular music melded attitude, experimentation and a social conscience, and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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