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(Vocal group, 1963–present) Peter ‘Herman’ Noone (vocals) had been a TV actor before the group’s maiden single, 1965’s ‘I’m Into Something Good’, was a hit both at home and in the States; ‘Hermania’ was manifested by high Hot 100 climbs for songs such as ‘Silhouettes’, ‘Mrs Brown You’ve Got A Lovely Daughter’ and ‘Listen People’ before a predictable decline ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Woodrow ‘Woody’ Herman (originally Herrmann) led several of the most exciting big bands in jazz history, hitting peaks of achievement in the 1940s that few have equalled. Born in Milwaukee, Wisconsin in 1913 to German immigrants, Herman began his stage career in vaudeville as a child, but his ambition was to lead his own band. He played ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Unusually among musical instruments, a specific date has been posited for the invention of the clarinet. Johann Christoph Denner of Nuremberg has been claimed as the man who, in 1700, devised and built the first of these instruments. Like all the best stories, however, the history of the clarinet is shrouded in mystery. The instrument attributed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The flugelhorn developed from the bugle, a signalling horn used in the Middle Ages and made out of bull or ox horn. This developed into a large, semicircular hunting horn made of brass or silver that was used by the military during the Seven Years’ War (1756–63). History Wrapping the horn around itself once, so the bell pointed ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

First performed at the Royal Opera House in London’s Covent Garden on 1 December 1951, this adaptation of Herman Melville’s short story saw E. M. Forster writing large portions of prose while Eric Crozier focused on the dramatic execution. Accordingly, Billy Budd was one of the most meticulously researched and well-written librettos of any Benjamin Britten opera. Typically for ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Next to The Beatles, Bob Dylan was the most influential artist of his generation, writing and performing songs whose poetic, sometimes-abstract, often-philosophical lyrics of astute commentary and therapeutic introspection spoke to the masses during an era of social unrest, political upheaval and radical change. While cross-pollinating folk and country with electric rock, Dylan elevated the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, comedian, record producer, bandleader, 1917–98) Native Californian Cliffie Stone – the son of country comedian Herman the Hermit (a.k.a. Herman Snyder) – was a West Coast, one-man industry during the 1940s. Hard to pinpoint any particular activity, he began to get his name known on Stuart Hamblin’s Covered Wagon Jamboree before establishing ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal group, 1955–65) New Yorker Lymon (1942–68) was invited to join a school vocal group with Sherman Gaines (1940–78), Jimmy Merchant, Joe Negroni and Herman Santiago. Before finding Lymon, the others, who were known as The Premiers, were working on a song they had written, but needed a soprano lead voice, a vacancy Lymon ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Clarinet, baritone, tenor and soprano saxophones, b. 1921) Jimmy Giuffre composed ‘Four Brothers’ for Woody Herman’s saxophone section in 1947 and later joined the Second Herd. He formed his important trio with Jim Hall (guitar) and Ralph Peña (bass) in 1957, then replaced bass with Bob Brookmeyer’s trombone in 1958. A subsequent trio with Paul Bley (piano) ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Various saxophones, clarinet, drums, b. 1952) The son of Cleveland saxophonist Tony ‘Big T’ Lovano, Joe Lovano attended Berklee School of Music before working in organ groups. He was in Woody Herman’s 1970s Thundering Herd and Mel Lewis’s Vanguard Jazz Orchestra, freelanced extensively and joined drummer Paul Motian’s trio with Bill Frisell in 1990. He has ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1960 Jimmy Page: First-Ever Serious ‘Gig’ Aged just 16, Jimmy Page – whose first guitar was a steel-stringed Spanish guitar on which he learnt to play skiffle, before quickly moving on to rock’n’roll and the electric guitar – played his first ever serious ‘gig’. Though he had been in local bands before, playing for British poet Royston Ellis ...

Source: Led Zeppelin Revealed, by Jason Draper

(Harmonica, vocals, 1932–71) Herman Parker Jr. was born in Bobo, Mississippi and worked with Howlin’ Wolf as early as 1949 in West Memphis. Parker was associated with B.B. King, Bobby Bland and Johnny Ace in the Memphis scene of the early 1950s. He recorded for Sun with his own group, the Blue Flames, in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bass, cello, composer, 1922–60) Oscar Pettiford was the first bass player to develop the new melodic and rhythmic concepts of bebop on his instrument and was an accomplished cellist and composer. He was of mixed African-American and Native American extraction and had a famously irascible temperament, frequently falling out with his many collaborators. He worked with Duke ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Tenor saxophone, 1927–91) Stan Getz was one of many white tenor saxophonists influenced by Lester Young, but as he matured he developed a distinctive sound of his own. After working with Jack Teagarden, Stan Kenton, Jimmy Dorsey and Benny Goodman, Getz became one of the ‘Four Brothers’ in Woody Herman’s Second Herd. From the 1950s onwards ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

From the 1950s through to the 1990s there was rarely a stranger experience for jazz audiences than witnessing the stage shows of Sun Ra and his Solar-Myth Arkestra. The mysterious, robed keyboardist and his exotic big band blended theatrics with pure jazz and free exploration, crafting a unique brand of ‘space jazz’ that reflected the mid-century’s curiosity about exploring ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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