(Banjo, guitar, vocals, b. 1937) James Dee Crowe was just a 19-year-old kid from Kentucky when he was hired by Jimmy Martin in 1956. By 1966 he had developed a banjo style that combined Earl Scruggs’ tumbling roll with Martin’s bouncy pulse. The line-up of Crowe, Bobby Slone, Tony Rice, Ricky Skaggs and Jerry Douglas ...
(Vocals, songwriter, b. 1950) A member of The Hot Band from 1975–77 as Emmylou Harris’s duet partner, Crowell wrote contemporary classics for her, including ‘’Til I Gain Control Again’ and ‘I Ain’t Living Long Like This’. After a modest start in chart terms with Warner Bros. in the late 1970s, his second Columbia album, Diamonds ...
(Vocal/instrumental group, 1989–2002, 2005–present) Musically, The Black Crowes were a throwback to the classic rock swagger of The Rolling Stones. Formed in Atlanta, Chris Robinson (vocals), Richard Robinson (guitar), Jeff Cease (guitar), Johnny Colt (bass) and Steve Gorman (drums) combined hard touring and compelling albums such as Shake Your Money Maker (1990) and The Southern Harmony And ...
Ricky Skaggs was born on 18 July 1954, in Cordell, Kentucky, and from the age of five Skaggs and his trusty mandolin have been almost inseparable. A child prodigy, he was invited on stage to play a tune at a Bill Monroe concert at the age of six, and a year later, he appeared on ...
(Vocal/instrumental group, 1959–1990s) After a few tentative starts, The Country Gentlemen settled on their classic line-up in 1959: Charlie Waller (vocals, guitar, 1935–2004), John Duffey (mandolin, vocals, 1934–96), Eddie Adcock (banjo, vocals, b. 1938) and Tom Gray (bass, b. 1941). They were all great bluegrass pickers, but Duffey’s urban brand of ...
Unlike practically any other strain of indigenous American music, bluegrass can be traced back to a particular time and a particular group of men: Kentucky-born mandolin player/bandleader Bill Monroe and a select handful of musicians he gathered in his band, The Bluegrass Boys. Monroe and the celebrated 1940s vintage line-up of The Bluegrass Boys first transformed traditional acoustic guitar-fiddle-bass-fiddle ...
When Steve Earle (b. 1955) was released from prison on 16 November 1994, it had been four years since he had released a studio album and three years since he’d done a tour. During that time lost to heroin and crack, much had changed in the world of country music. The charismatic but mainstream-pop-oriented Garth Brooks (b. 1962) was ...
When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...
In 1995, Alison Krauss (vocals, fiddle, b. 1971) achieved a level of success no other bluegrass act had ever matched. Her 1995 retrospective album, Now That I’ve Found You: A Collection, went double platinum, and she won the CMA Awards for Single, Female Vocalist, Vocal Event and Emerging Artist as well as the ...
(Vocals, mandolin, b. 1944) Doyle Lawson established a reputation as a terrific mandolinist in the style of his hero Bill Monroe during stints with J. D. Crowe And The New South (1966–71) and The Country Gentlemen (1972–79). But when the eastern Tennesseean started his own band, Doyle Lawson And Quicksilver, in 1979, he took bluegrass in ...
Nobody who has heard Led Zeppelin would ever need their memory jogged. As somebody once said of the band’s music: ‘Hoary blues motifs were pumped up to enormous proportions, clubbed senseless by Bonham’s colossal wallop, panicked to distraction by Page’s crazed air-raid riffs, pummelled by Jones’s slum-demolishing bass-lines, and strangled by Plant’s lascivious shrieks of lust.’ ...
Even when he was sober, Jimmy Martin (vocals, guitar, 1927–2005) was willing to tell anyone who would listen why he was the ‘king of bluegrass’. After all, didn’t Bill Monroe’s sound change dramatically when Martin joined The Blue Grass Boys in 1949 ? Didn’t Martin create a brand new honky-tonk/bluegrass hybrid on his great Decca recordings of ...
(Vocals, guitar, 1955–89) Initially a bluegrass artist, Whitley began performing at the age of eight on the Buddy Starcher radio show from Charleston, Virginia. In 1970, Whitley and his friend Ricky Skaggs joined Ralph Stanley’s Clinch Mountain Boys, and during the 1970s, recorded with J. D. Crowe And The New South. He turned to ...
(Guitar, vocals, b. 1951) Tony Rice is one of the most inventive, elegant guitarists to emerge from the bluegrass community. As a teenager he was part of the California bluegrass scene with his brothers Larry and Wyatt, his hero Clarence White and his future collaborator Chris Hillman. Rice’s virtuosity soon won him jobs with The Bluegrass Alliance ...
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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
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sweep of incredible photographs.