SEARCH RESULTS FOR: Kern
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1885–1945 American composer Like Gershwin, Kern began his career as a song-plugger (playing new songs to potential customers in a publisher’s showroom) and then gained invaluable experience writing additional or replacement numbers for musicals imported to the US from Europe. In 1915, he formed a partnership with the writer Guy Bolton (soon joined by P. G. Wodehouse as lyricist). ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

musical genres. Indeed, the composers who presided over the golden age of musical theatre (the 1920s to the late-1950s) were among the twentieth century’s most gifted musicians. Following Jerome Kern, who pioneered the use of music to explore the themes of a production, George Gershwin (Of Thee I Sing), Irving Berlin (Annie Get Your Gun) and others combined ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Recommended Recording: Cello Concerto No. 2 in G, op. 77, Alexander Rudin, Moscow SO (cond) Igor Golovschin (Naxos) Introduction | Modern Era | Classical Personalities | Jerome Kern | Modern Era | Classical ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

the need to have the audience humming the tunes as they leave the theatre. The first generation of musical-theatre composers, who included George Gershwin, Irving Berlin, Jerome Kern and Richard Rodgers, were tunesmiths of the highest order. Many were Jewish émigrés. As young men they eagerly embraced the music of a different displaced community of an earlier ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

1957. The Bakersfield Scene Around the same time, some 160 km (100 miles) north-east of Los Angeles, a fresh country sound was being heard in Bakersfield. This small Kern County township had its share of bars, clubs and dance halls, but here the music – like the nightspots – were raw and gritty, unlike Los Angeles’ ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Frants List) 1811–86 Hungarian composer and pianist Liszt was one of the leading and most adventurous composers of the nineteenth century. His vast output is unusually complicated: many works exist in more than one version, and he was constantly revising and redrafting. His body of work may be somewhat uneven, but it should hardly be surprising if a composer at ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, guitar, songwriter, b. 1964) With 14 gold albums to his name, Kernaghan is the biggest-selling country artist in Australia. He first visited Nashville in 1986, played at Fan Fair, and met producer Garth Porter, resulting in his 1992 double-platinum debut album, The Outback Club. He has recorded with the late Australian legend ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Rock’s most famous and celebrated hippie band, known more for its anything-goes, drug-hazed concerts and legions of ‘Deadhead’ fans than for its body of studio work, The Grateful Dead grew out of a union between singer-songwriter/lead guitarist Jerry Garcia (1942–95), songwriter/rhythm guitarist Bob Weir (born 16 October 1947) and keyboardist/singer Ron ‘Pigpen’ McKernan (1946–73). They were to become ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, b. 1961) Toby Keith’s rich, booming voice is best known for his chart-topping 1993 debut single ‘Should’ve Been A Cowboy’, which the NFL Dallas Cowboys football team adopted as their anthem, while his eponymous debut album was certified platinum. His 1994 album, Boomtown, went gold, and after six years with Mercury he ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

By the end of the 1980s, thrash metal was on its last legs. Metallica and Slayer were on the path towards acceptance by the mainstream and it seemed as though heavy metal was in danger of losing not only the extremity upon which it had been founded, but also its shock value. How ill-founded those assumptions turned out to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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