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(Vocals, b. 1969) James Todd Smith was one of the first and most astute signings Rick Rubin made for his Def Jam Label. Early singles mixed the beat power of Run-DMC with his pioneering and infectious bad-boy rap style. Canny enough to have a pop edge to his music as well as work in TV and film Mama Said Knock ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Jimi Hendrix remains the most innovative and influential rock guitarist in the world. He changed the way the guitar was played, transforming its possibilities and its image. Other guitarists had toyed with feedback and distortion, but Hendrix turned these and other effects into a controlled, personalized sound that generations of guitarists since have emulated and embellished. He was ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The bell may have been the instrument most widely and frequently heard in the European Middle Ages. Handbells had survived into the medieval period from antiquity; in addition, large bells were hung in church towers. Their loud sound was believed to keep away demons, so they may have offset the fear of churchyards. Bells were made of bronze; the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(A’-dam de la Al) c. 1250–1300 French Trouvère Adam de la Halle appears as something of a Janus figure at the end of the thirteenth century, at once looking back to his forebears and forwards into the fourteenth century and beyond, and he composed works in amost every genre of the period, including monophonic and polyphonic songs and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Zhel Bansh-wa’) c. 1400–60 Franco-Flemish composer Binchois spent his formative years in Mons (now Belgium) and appears to have led a remarkably static life. In the late 1420s he joined the itinerant Burgundian court chapel, and served there with distinction until his retirement in the early 1450s, continuing to draw a pension until his death. Although he left a substantial ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Yo-an’-nez Se-kon’-ya) c. 1370–1412 Franco-Flemish composer and theorist Ciconia was active principally in Italy. For many years he was regarded as the main link between Machaut and Du Fay, and although other influential composers have now come to the fore, he is still seen as one of the most important figures of his generation. He wrote songs in French and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ge-yom’ Düfa’) c. 1397–1474 French composer Du Fay is regarded as the leading musical figure of his generation, and his reputation in his own time is emphasized by his employment at many of the most important musical centres in Europe. He grew up in Cambrai, where his skills were recognized early by the ecclesiastical authorities, and in his late ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

c. 1390–1453 English composer Dunstaple was the best known of an influential group of English composers which included Power. To judge by the number of his works in continental manuscripts, he was probably one of the most important composers of his day in Europe, although he may not have travelled particularly widely. He wrote early Mass cycles, including ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Zhä-no’ de Les-koo-rel’) fl. early 14th century French poet and composer Very little is known about Jehannot de Lescurel; his works survive only in an appendix to the most important manuscript of the Roman de Fauvel. This constitutes a collection of some 32 monophonic songs, a polyphonic rondeau and two longer poems. The works are ordered alphabetically but the sequence ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ge-yom’ da Ma-sho’) c. 1300–77 French Composer and Poet Machaut was the most important poet-composer of fourteenth-century France and had a wide and enduring influence. He was in constant demand by the greatest noble patrons of his day, and his music reflects this patronage. He was unusual, although probably not unique, among medieval writers in that he made an ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Yo-an’-nes O’-ka-gem) c. 1425–97 Franco-Flemish composer Born in St Ghislain near Mons (now in Belgium), Ockeghem is first recorded as a singer at the Church of Our Lady, Antwerp, in 1443. He joined the French royal chapel in 1451, becoming chapel-master by 1454. In 1459 King Charles VII appointed him treasurer of the abbey of St Martin of Tours. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Yo-an’-nes Tink’-tôr-is) 1430–after 1511 French theorist Tinctoris attended university at Orléans and worked for most of his adult life at the Aragonese court in Naples. There he produced the most authoritative body of theoretical writing on music of his time. He was familiar with current musical practices, and dedicated one of his treatises to his contemporaries Ockeghem and Busnoys. His surviving ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Zhak Är’-ka-delt) c. 1505–68 French composer Although probably of French birth, Arcadelt spent much of his adulthood in the great Italian cities of Florence, Rome and Venice. He is best known for madrigals (although he composed Masses, motets and chansons as well), including some of the genre’s most precious gems. They are almost all easy to sing, but ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

c. 1562–1628 English composer and keyboard player The English composer and keyboard player John Bull was by all evidence an extraordinary musician. His name headed the list of members of the Chapel Royal who attended the funeral of Elizabeth I in 1603. He was also an organ-builder and a scholar. A Catholic with a difficult personality, he often found himself ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1543–1623 English composer Byrd’s early life is shrouded in mystery. He may have been born in Lincoln, but his formative years must have been spent at least partly in London; at some point in his youth he studied with Tallis. In 1563 he was made organist and master of the choristers at Lincoln Cathedral. He married in 1569 and in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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