Corsicana, Texas-born William Orville ‘Lefty’ Frizzell (1928–75) was the son of an oilfield worker who grew up in various ‘oil patch’ settlements in East Texas, Louisiana and Arkansas. His clenched-note, note-bending vocal style (characterized by a penchant for stretching and rephrasing individual words and lyric passages for heightened emphasis) and chart-topping early 1950s hits – ‘If You’ve Got ...
Just as sports have their pantheon of greats, the country-music industry established its own Hall Of Fame in 1961 to honour its most influential figures and deepen public understanding and appreciation of the music’s rich heritage and history. A Pantheon Of Country Stars As of 2005, 62 artists and industry leaders – starting with Jimmie Rodgers (1897–1933) and songwriter ...
During the 1940s and 1950s country music coalesced from various and disparate sub-styles of regional music and emerged as a distinct genre. Nashville’s Grand Ole Opry was central to this newfound sense of identity, as it rose in popularity from an obscure local radio broadcast to a national entertainment institution. For decades, beginning in the 1930s, country music ...
The undisputed queen of country rock, Emmylou Harris has long been both a student of traditional country music and a peerless innovator. Even now, some 30 years after she debuted with the tormented genius Gram Parsons, she is still the one others turn to for acceptance and support. Gram Parsons’ Influence Born in Birmingham, Alabama, on ...
Born on 12 September 1931, near Saratoga, Texas, in a remote region of East Texas known as The Big Thicket, George Glenn Jones is widely considered to be country music’s quintessential honky-tonk singer and probably the most influential artist to come along since Hank Williams’ death in 1953. Throughout his 50 years of record-making, Jones has ...
The Lone Star State is steeped in tradition, producing both songwriters and swing bands. In the 1980s, the clean-cut George Strait And His Ace In The Hole band took the baton from such earlier legends as Bob Wills, Lefty Frizzell, Ray Price and Hank Thompson. Born on 18 May 1952, in Poteet (south of San Antonio), ...
Hank Thompson (b. 1925) is one of the most difficult country stars to classify. His Brazos Valley Boys were for a number of years one of the most talented and revered of western-swing bands, yet Thompson was never really a western-swing performer. He recorded a number of songs that remain honky-tonk classics, but he was never just a honky-tonk ...
Even when he was sober, Jimmy Martin (vocals, guitar, 1927–2005) was willing to tell anyone who would listen why he was the ‘king of bluegrass’. After all, didn’t Bill Monroe’s sound change dramatically when Martin joined The Blue Grass Boys in 1949 ? Didn’t Martin create a brand new honky-tonk/bluegrass hybrid on his great Decca recordings of ...
(Vocals, songwriter, b. 1951) Born in Texas, Rodriguez played guitar from the age of seven, starting his career during a jail sentence for stealing a goat. There he wrote songs, occasionally utilizing Spanish lyrics. A prison guard alerted Tom T. Hall to his talent, and Rodriguez moved to Nashville, working as a guitarist with ...
(Vocals, guitar, 1955–89) Initially a bluegrass artist, Whitley began performing at the age of eight on the Buddy Starcher radio show from Charleston, Virginia. In 1970, Whitley and his friend Ricky Skaggs joined Ralph Stanley’s Clinch Mountain Boys, and during the 1970s, recorded with J. D. Crowe And The New South. He turned to ...
In the Bakersfield family tree, the likes of Bill Woods and Wynn Stewart set the stage, Buck Owens put the town on the map, and Merle Haggard was the heir apparent. ‘The Hag’, as he is often known, also had the distinction of actually being born in Bakersfield, on 6 April 1937. His parents, James ...
(Vocals, guitar, harmonica, 1910–68) Clyde Julian ‘Red’ Foley was born in Blue Lick, Kentucky, and was central to the surge in country music’s popularity in the 1940s and early 1950s with hits like ‘Smoke On The Water’ (1944), ‘Tennessee Saturday Night’ (1948), ‘Chattanoogie Shoeshine Boy’ (1950) and ‘Birmingham Bounce’ (1950). For three decades, Foley headlined ...
(Vocals, guitar, 1944–97) Van Zandt, the bohemian son of Texas aristocracy, spent much of his life drifting from place to place and battling alcoholism, but he became a songwriting mentor for Steve Earle, Guy Clark, Susanna Clark, Nanci Griffith, Rodney Crowell and The Flatlanders. His small, roughened voice limited the appeal ...
There is no distinct boundary line between the early and old-time country era, when the music was still relatively unshaped by the American mainstream, and the modern age, when country music’s popularity and ubiquity have made it very much a part of the mass culture. But it was in the 1920s, due to the emerging radio and ...
At least until the 1930s and 1940s the dominant themes in country music were a celebration of bedrock rural values like family, faith, fidelity and the redeeming powers of true love and honest labour. The music served as much as anything to offer listeners comfort, reassurance and a soothing sense of place and identity. But as America’s national ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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David Bowie
Fantastic new, unofficial biography covers
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