SEARCH RESULTS FOR: Little Milton
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(Guitar, vocals, 1934–2005) Born to sharecroppers in Inverness, Mississippi, the country music Milton Campbell heard in radio broadcasts from the Grand Ole Opry shaped his soulful sound as much as gospel and blues. After regional success, he signed to the Chess Records subsidiary Checker in 1961 and cut the classics ‘If Walls Could Talk’, ‘Feel So ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, vocals, 1906–85) Eurreal Wilford Montgomery was born in Louisiana and taught himself piano, dropping out of school to work functions and juke joints. He first recorded for Paramount in 1930 (‘Vicksburg Blues’/‘No Special Rider’) and then for Bluebird and ARC in 1935–36. Often featured with traditional jazz bands in addition to his primary work as a soloist ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1935–84) Esther Mae Washington was born in Galveston, Texas. She moved to the Los Angeles area at the age of five and in 1949 was discovered by Johnny Otis. Her first recording with Otis, ‘Double Crossing Blues’, was a number-one R&B hit in 1950. In that year the pair had two more number ones on the R&B ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, vocals, 1907–83) Roy Bunny Milton was born in Wynnewood, Oklahoma. He had his own bands before moving to Los Angeles in 1935, where he formed the Solid Senders combo in 1938 and worked small clubs throughout the city. He began recording in 1945 and had a lengthy relationship with Specialty records throughout 1946–54, which produced ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1930–68) Marion Walter Jacobs was born in Marksville, Louisiana. He taught himself harmonica at the age of eight and was working the New Orleans streets by the time he was 12. He worked in Helena, Arkansas (where he met Rice Miller) and St. Louis before arriving in Chicago in 1946. He was encouraged by guitarists ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1932–71) Herman Parker Jr. was born in Bobo, Mississippi and worked with Howlin’ Wolf as early as 1949 in West Memphis. Parker was associated with B.B. King, Bobby Bland and Johnny Ace in the Memphis scene of the early 1950s. He recorded for Sun with his own group, the Blue Flames, in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

There was a time during the western-swing revival of the 1970s when it looked as if the pioneering legacy of Milton Brown (1903–36) And His Musical Brownies would be entirely subsumed amid the accolades given to the music’s most popular, enduring figure, Bob Wills. Fortunately, that didn’t happen, though Wills continues to reign supreme in the popular ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1920) West Virginia-born James Cecil Dickens was a long-time fixture on the Grand Ole Opry and is best known for the novelty hits he released in the late 1940s and early 1950s, including ‘Sleepin’ At The Foot Of The Bed’, ‘I’m Little But I’m Loud’ and ‘Take An Old Cold Tater And Wait’. Dickens was inducted into ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1937) While still a student at the University of North Carolina, this smooth singer scored a pop hit with ‘A Rose And A Baby Ruth (1956)’. Moving to Nashville, Hamilton had his first country hit in 1963 with the ballad ‘Abilene’, which also did well in the pop charts. Throughout the 1970s and 1980s, while ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

First performed in Brno on 6 November 1924, this opera, based on a story by Rudolf Tešnohlídek, centres around a little vixen known as ‘Sharp-ears’. Janáček’s music is colourful, evocative, playful, full of Moravian folk references and often very moving, combining ballet, mime, vocalization without text, orchestral interludes, a chorus ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1916–2011 American composer An enthusiastic exponent of modernism, Babbitt is an influential teacher. In a famous essay, ‘Who cares if you listen ?’, he argued that modern composers should not address the mass concert audience but, like scientists communicating research to their fellows, a specialist, almost private one. Strongly influenced by Schoenberg and Webern, he ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, 1937–68) Arkansas-born William Edgar John, who moved to Detroit as a child, was signed to King Records from 1955. A string of US R&B Top 20 hits followed, several of which crossed over to the US pop chart. He is said to have influenced many major soul singers of the 1960s, and his best-known hits ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Piano, vocals, b. 1932) Georgia-born Richard Penniman, who combines frantic vocals with uninhibited pianistics, was one of 12 children. Raised in a religious family, he started recording for RCA in 1951 after winning a talent contest. Chart success followed his signing with Specialty Records, where Bumps Blackwell produced a series of classic rock’n’roll tracks between ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, 1943–2003) One of pop’s fairy tales. Eva Boyd was baby-sitting for Gerry Goffin and Carole King when they asked her to demo a new dance-craze song, ‘The Loco-Motion’. It was a 1962 worldwide No. 1, later covered by Kylie Minogue. Follow-up ‘Keep Your Hands Off My Baby’ also charted. The Crystals’ Goffin-King single ‘He Hit Me (And ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal group, 1971–present) Renowned for their eclectic blend of styles, incorporating rhythm and blues, country, rock’n’roll and jazz rock, Little Feat was founded by two ex-members of Frank Zappa’s Mothers of Invention, guitarist and singer Lowell George and bassist Roy Estrada. They were joined by Richard Hayward (drums) and Bill Payne (keyboards, vocals). After ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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