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(Vocal/instrumental group, 1963–present) Phil May (vocals) and ex-Rolling Stone Dick Taylor (guitar) formed this London R&B outfit in 1963. A long-haired reprobate image held instant appeal and they made the UK Top 20 with ‘Don’t Bring Me Down’ and ‘Honey I Need’. A few minor hits later, they signed off the singles chart for ever in 1966, and ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, 1941–2006) This University of Connecticut graduate was first recognized in the music business as a composer of hits for Ricky Nelson and Bobby Vee. As a performer, Pitney made a US Hot 100 debut with 1961’s ‘(I Wanna) Love My Life Away’ before climbing higher with two successive film title songs – ‘Town Without Pity’ and ‘The Man ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 2001–04) The Libertines – Pete Doherty (vocals, guitar), Carl Barat (vocals, guitar), John Hassall (bass) and Gary Powell (drums) – hailed from the east end of London. Across their short lifespan they made two albums (Up The Bracket, 2002 and The Libertines, 2004) of exceptionally idiosyncratic indie, with The Clash’s Mick Jones at ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

In its classic line-up, featuring singer-songwriter Mick Jagger (born 26 July 1943), guitarist/songwriter Keith Richards (born 18 December 1943), guitarist/multi-instrumentalist Brian Jones (1942–69), bass player Bill Wyman (born William Perks, 24 October 1936) and drummer Charlie Watts (born 2 July 1941), what came to be acclaimed and self-proclaimed as ‘The World’s Greatest Rock’n’Roll Band’ first achieved success and notoriety ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Popular music’s most influential decade saw British and American rock develop in parallel, the creative torch passing across the Atlantic to The Beatles, then returning as the West Coast rock boom reflected the influence of drugs on music. In rock, guitar was now the undisputed focus of the music with ‘axe heroes’ like Clapton, Hendrix, Townshend ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

May Swan Song 1974 was a relatively quiet year for a band that had spent its life touring, though the group would up their business activities when they launched their Swan Song label in May. Compared to The Rolling Stones, who launched their own label under Atlantic the previous year, Swan Song would be a complete working entity. ...

Source: Led Zeppelin Revealed, by Jason Draper

January–March Canadian And US Tour Come the end of the previous year, Led Zeppelin realized that the tax man would soon be taking home more of their money than they would. They had no choice but to enter into tax exile in 1975, beginning with a tour across the US and Canada that would, they planned, see ...

Source: Led Zeppelin Revealed, by Jason Draper

Many were those in 1972 who would have snorted at the idea that an artist so obsessed with superficiality and chart success would sustain a multi-decade career characterized by career-jeopardising innovation. Hours… (1999) saw Bowie co-writing with Tin Machine guitarist and subsequent frequent collaborator Reeves Gabrels. The album had originated in a commission to score a computer game called Omikron: The ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

Camille Saint-Saëns (1835–1921) is said to have written the first film score with L’assassinat du duc de Guise (‘The Assassination of the Duke of Guise’, c. 1908). Many composers in the US and Europe followed suit, although few wished to make a career in films. A famous exception was Erich Wolfgang Korngold (1897–1957), whose scores include the Academy Award-winning The ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The sense of cultural and societal degeneration and decline affected both the subject-matter of music and, more intangibly, its forms and structures. Much of the music of Johannes Brahms (1833–97), for instance, deliberately invoked earlier models as a way of linking himself with his idea of a great but past tradition. He saturated his music with counterpoint and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Drums are widely used in traditional music in the Far East, along with a diverse range of cymbals, gongs, metallophones and untuned wooden idiophones. In much traditional music of this region, the drum is played by the director of the ensemble, who uses specific signals for the other performers. Chinese Drums Most Chinese drums (gu) are ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Often regarded as the country cousin (and hence the bumpkin) of the organ family, the harmonium did add a touch of warmth to many nineteenth-century rural homes, where the purchase of a piano would have been an unaffordable luxury. But the two instruments often cohabited, too. Harmonium Compositions Today, unlike the piano, the harmonium is a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

In 1905, and probably for several decades before that, there were more pianos in the United States than there were bathtubs. In Europe, throughout the nineteenth century, piano sales increased at a greater rate than the population. English, French and German makers dispatched veritable armies of pianos to every corner of the Earth. It was the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The player piano (usually known by one of its manufacturers’ trade names as the ‘pianola’) was a mechanical device for causing the piano to play a fixed composition in a fixed way. The music has been cut into a roll of paper and when this is fed through a mechanism built into the specially designed piano, a bellows system causes ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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