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(Vocals, guitar, 1896–1987) Mississippi-born Robert Wilkins’ blues style, as evidenced on records he made for Victor, Brunswick and Vocalion from 1928–35, featured vivid lyric imagery couched in asymmetrical verses, laid over rudimentary strumming. After being ordained in the 1930s, Wilkins quit the blues for religious music. ‘Prodigal Son’ on the Rolling Stones’ Beggars Banquet ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

c. 1490–c. 1546 Scottish composer Carver’s first composition may have been for the coronation of James V (1513); the Dum sacrum mysterium Mass is composed in 10 parts. Four of his other Masses remain extant and demonstrate the influence of Franco-Flemish style of composition characteristic of Josquin and others of the age. Recommended Recording: Missa Dum sacrum mysterium, Motets, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Although Robert Cray’s clean, good looks, precise guitar lines and slick presentation earned him some knocks from critics early on in his career (hardcore blues aficionados tended to dismiss him as ‘blues lite’ for yuppies), he later gained their respect for his smart songwriting and razor-sharp guitar licks, along with an intensely passionate vocal style reminiscent of the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1953) By the 1970s the blues was a debased currency amongst Afro-Americans. Robert Cray was the first major black artist to rehabilitate the genre. Born in Columbus, Georgia, Cray paid a lot of dues before eventually releasing Who’s Been Talkin’ in 1980. Several hundred gigs down the road, Bad Influence emerged in late ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, songwriter, b. 1956) Texan Robert Earl Keen Jr. first came to notice with his self-financed 1984 album No Kinda Dancer, which included ‘The Front Porch Song’, co-written with Lyle Lovett. Keen’s raspy vocals coupled with his conversational-styled songs have produced such albums as West Textures (1989) and What I Really Mean (2005). Styles & Forms | New ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Progressive-rock pioneers King Crimson have seen a revolving door of band members through its almost 40-year existence, including such highly respected musicians as bassists Greg Lake, John Wetton and Tony Levin, drummer Bill Bruford and guitarist Adrian Belew. But one figure has remained steadfast, and that is guitarist Robert Fripp (b. 1946). Born in Wimborne Minster, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The hold that the legend of Robert Johnson (1911–38) exerts on the blues is out of all proportion to his career and output. He died relatively unknown at the age of 27 and recorded just 29 songs. But those songs of dreams and nightmares, crossroads and hellhounds revealed a darkness at the heart of Johnson’s blues, expressed with a ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Guitar, vocals, 1911–38) Despite recording only 29 songs in his short life, bluesman Johnson is an almost mythical figure and one of the most influential guitarists in the history of music. Born in Hazlehurst, Mississippi, in 1911, Johnson learned guitar from players like Charley Patton and Son House and supported himself on the road from ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

While blues music has produced dozens of great, innovative musicians, vocalists and songwriters, the continuing influence of Robert Johnson over the years has shown that no other performer has succeeded in combining all the elements in quite the exceptional way that he did. The fascination that Johnson holds for so many people lies not only in his extraordinary ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, harmonica, vocals, 1915–2006) Lockwood is thought to be the only musician given lessons by Robert Johnson, who was infatuated with Lockwood’s mother. But Lockwood, who was raised in Helena, Arkansas, also assimilated jazz chords and swinging rhythms to become one of the most sophisticated guitarists to emerge from the Delta. After decades as ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1909–67) Robert Lee McCollum was born in Helena, Arkansas. He was taught guitar by his cousin, Houston Stackhouse, in 1930. He moved to St. Louis in 1934, now calling himself Robert McCoy, and first recorded in 1937 on acoustic guitar. He took the name Robert Nighthawk and used it professionally from the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Ro’-bârt Shoo’-man) 1810–56 German composer Robert Schumann, in his life and music, embodied many of the central themes of the German Romantic movement: steeped in German literary Romanticism, he composed Lieder combining the melodic simplicity of German folk tradition with expressive harmonic setting, wrote poetically titled miniatures, and composed music rich in literary inspiration and allusion. His ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Drums, singer-songwriter, b. 1945) Wyatt became drummer and vocalist with jazz-rockers Soft Machine. Forming Matching Mole in 1971, he overcame being wheelchair-bound after an accident to record solo classics such as Rock Bottom (1975), and had an unlikely hit single with The Monkees’ ‘I’m A Believer’. In 1983, he charted again with Elvis Costello’s ‘Shipbuilding’. 2003’s Cuckooland ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The very name, ‘Classical Era’, speaks for itself: it proclaims a period that is regarded as ‘Standard, first-class, of allowed excellence’, with manifestations that are ‘simple, harmonious, proportioned, finished’, to quote a dictionary definition. The period from 1750 to roughly 1820 is widely recognized as one of exceptional achievement in music – it is the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The early nineteenth century was a period of insurgence in Europe, from the French Revolution in 1789 to the uprisings of around 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution transformed society, with a growing awareness of national identity ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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