SEARCH RESULTS FOR: Wingy Manone
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(Trumpet, vocals, 1900–82) Born in New Orleans, Joseph ‘WingyManone’s rousing trumpet and gravelly vocals were (as with his fellow Italian-American, Louis Prima) confidently cast from the Armstrong matrix. After scoring a hit with ‘Isle Of Capri’ in 1935, he became a fixture on New York’s 52nd Street before moving to California in 1940 to join ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bandleader, arranger, 1902–47) While working as a music teacher in Memphis, Mississippi-born Lunceford formed a band called the Chicksaw Syncopators. They first recorded in 1930 and after four years of touring gained a residency at the Cotton Club and became the Jimmie Lunceford Orchestra. Renowned for its polished stage presence, the band was nevertheless musically tight and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

While Louis Armstrong remained a pre-eminent jazz symbol in the public mind through the 1930s, and inspired many imitators (Taft Jordan, Hot Lips Page, Wingy Manone), younger and better-schooled musicians were coming up who could navigate the trumpet with great agility and dexterity. They would break through the perimeters that Armstrong had established in the 1920s and take ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1898–1975) Arthur ‘Zutty’ Singleton was one of the first New Orleans drummers, along with Baby Dodds, to develop a melodic approach to the kit and the concept of the extended drum solo. He played in the second configuration of Louis Armstrong’s Hot Five, appearing on OKeh recordings cut in 1928 (including the landmark ‘West End Blues’), ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

By the end of the 1930s, the Swing era was in full force, ushered in by big bands led by Benny Goodman, Chick Webb, the Dorsey brothers (Jimmy and Tommy) and Glenn Miller. New Orleans jazz and its stylistic off-shoot, Dixieland, had both largely faded from popularity. New Orleans pioneers King Oliver and Jelly Roll ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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