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There are many different instrumental interfaces through which it is possible to control synthesized or sampled sounds – the most common being the piano-style keyboard. The electronic musician is also able to access a wide range of sounds through electric guitar, string, percussion and wind instruments. These devices are, to a large extent, quite recognizably conventional, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Alternative-metal guitarist Adam Jones (b. 1965) was born in Park Ridge, Illinois. He learned violin in elementary school, continuing with the instrument in high school, before playing acoustic bass for three years in an orchestra and later teaching himself guitar by ear. Jones studied art and sculpture in Los Angeles before working in a Hollywood character shop sculpting ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative music is often seen as a controversial idiom, reflecting those who have sought to change the existing styles by fusing it with others, or approaching it from a different angle. It is criticized by purists who believe in the folk ideal, but supported by those who argue that stagnant music is a dead music and that it ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Once hip hop had expanded beyond apparently using the hook lines from Chic’s ‘Good Times’ as the basis for just about everything, it quickly became as diverse as any other black music genre. Its evolution in recording studios took it way beyond the scope of conventional instruments. Can’t play piano like Herbie Hancock or bass like Bootsy ? So what ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Rather a ‘catch-all’ category that includes many musically diverse bands from the 1980s and 1990s, ‘alternative’ is generally an American term referring to any remotely leftfield and non-mainstream band, whereas ‘indie rock’ originally refers generally to the UK bands recording for smaller, independent labels, again usually meaning non-mainstream bands. Alternative encompasses many sub-styles. To complicate matters, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The Opéra-Comique company was established in 1714 to offer French opera as an alternative to the Italian opera that dominated the continent at the time. After several misadventures, which included a bankruptcy, the Opéra-Comique settled at the Salle Feydeau in 1805. Here, its essentially radical approach to opera soon became clear. At this time, composers such as ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

From the late 1940s onwards, John Cage was a figure of major significance as a thinker, inventor and exemplar whose approach drew crucial sustenance from outside the Western tradition. A different conception of time and sound informed Cage’s music from the start, including his influential makeover of the conventional piano, which he ‘prepared’ by inserting bolts, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

At a time when expression was more important than maintaining classical forms, freer structures that enabled the communication of a single mood or idea became particularly popular with pianists as an alternative to sonatas. Schubert, for example, is best revealed in his short lyric pieces in which his melodic expansiveness is not constrained. His Moments Musicaux (‘Musical Moments’, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The affectionately nicknamed ‘squeeze box’ is the smallest of all conventional keyboard instuments, and the lowliest cousin of the organ (except the shirt-pocket harmonica). Strictly speaking, however, it has neither keys nor a keyboard. Nor has it a uniform shape. Playing Technique Whereas the standard English concertina is hexagonal, German and American models are square. The basic ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Keyboard percussion instruments include the western xylophone, marimba, vibraphone and glockenspiel, the log xylophones and marimbas of Africa and Central America, and the barred instruments played in the Indonesian gamelan. The orchestral xylophone, marimba and glockenspiel have thin wooden or metal rectangular bars laid out like a chromatic piano keyboard. The back row of bars – ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Zither The zither is part of a group of instruments which are linked by the fact that sets of strings run parallel to their main body, and that – unlike the lute, lyre or harp – they can still be played even without a resonating device. In the concept’s least advanced state, native instruments exist which are little ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Musique concrète (‘concrete music’) was the term coined by Pierre Schaeffer (1910–95) in 1948 to describe his new approach to composition, based on tape recordings of natural and industrial sounds. The term was chosen to distinguish the new genre from pure, abstract music (musique abstrait). Schaeffer was a radio engineer and broadcaster. Having gained a qualification from L’École Polytechnique ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The oboe was developed in the mid-seventeenth century and the credit is usually given to Jean Hotteterre (c. 1605–90/2), a shawm player at the court of Louis XIV. Its immediate predecessor was the shawm and the oboe took over the French name for smaller shawms, hautbois or ‘loud woodwind instrument’. The distribution of the finger holes and the bore was ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The ondes martenot (‘martenot waves’) was invented in 1928 by French inventor and cellist, Maurice Martenot. Martenot had met his Russian counterpart, Leon Theremin, in 1923 and the two of them had discussed possible improvements to Theremin’s eponymous instrument. In fact, Martenot’s instrument was patented under the name Perfectionnements aux instruments de musique électriques (‘improvements to electronic ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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