SEARCH RESULTS FOR: hard bop
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Hard bop evolved out of bebop during the early 1950s but its rhythms were more driving and syncopated. Hard bop also tended to have a more full-bodied sound, a bluesy feel with darker textures and shorter improvised lines, and its chord progressions were usually composed rather than borrowed from popular tunes. Although Miles Davis made an early foray into ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Veteran Rolling Stones guitarist Keith Richards (b. 1943) was born in Dartford, Kent. After being expelled from technical school in 1958, Richards attended Sidcup Art College. The art-school environment was crucial to Richards’ development, as it was for many of his generation. Here he was able to nurture his passion for rhythm and blues, finding many fellow ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Django Reinhardt (1910–53) overcame physical disabilities to create a unique playing style and one of the most highly influential sounds in jazz. He was born in Belgium to gypsy parents. At the age of eight his mother’s tribe settled near Paris. The French Gypsies, or Manouches, were medieval in their beliefs, and distrustful of modern science. But Django ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In his 40-year career as an award-winning songwriter, guitarist and musician’s musician, Richard Thompson (b. 1949) has won fans for his work as an original member of Fairport Convention, as part of a duo with former wife Linda Thompson and as a solo artist. His songs have been recorded by Bonnie Raitt, Elvis Costello, Emmylou Harris ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Rin’-härt Ki’-zer) 1674–1739 German composer Keiser studied at St Thomas’s School, Leipzig. His first operas were performed at the Brunswick court during the early 1690s. In 1695 he moved to Hamburg, where he became director of the Gänsemarkt theatre in 1702. He wrote over 60 operas, mainly for Hamburg, but periods of absence did not further his cause. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Me-shel’ Re’-share de La-län-de) 1657–1726 French composer During the mid-1660s Lalande, along with Marais, was a member of the choir at St Germain-l’Auxerrois in Paris and later, as an organist, he was the mentor of Couperin. In 1683 he was appointed one of four sous-maîtres of the Chapelle Royale, gradually acquiring all the other major musical positions ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Hard rock is a cross between rock’n’roll and blues, but played louder – everything on ‘11’ or ‘one louder’, as guitarist Nigel Tufnell in spoof rock band Spinal Tap would say. The electric guitar is the prominent instrument in hard rock, and most hard rock songs are based on a guitar ‘riff’. The classic example of a hard rock ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Though it was often referred to as a musical revolution, bebop was actually a natural evolution of jazz, involving innovative approaches to harmony and rhythm that advanced the music forward to a modern era. Traces of bebop began to emerge during the early 1940s, in orchestras led by Earl Hines and Billy Eckstine. Those adventurous impulses were further ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

As the 1990s began, dance music was really only subdivided into house or techno. However, another genre was forming alongside the explosion of big outdoor raves – hardcore, where extreme hedonism met a kind of underclass desperation. Hardcore has meant different things at different times. In the early 1990s, different parts of Europe had different words for ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

In the UK, hardcore split into two camps in the early 1990s. One half would lead to jungle, but within breakbeat hardcore, a faction of DJs and ravers felt that the music was getting too gloomy. Producers and DJs such as Slipmatt, Seduction, Vibes, Brisk and Dougal effectively led an exodus of white ravers away ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Re-khart Shtrous) 1864–1949 German composer During an amazingly productive career, Richard Strauss wrote 15 operas, five ballets, several orchestral masterpieces, well over 200 songs and many other works. As a conductor he contributed in countless practical ways to the musical life of Europe and the US in the flourishing period from the last two decades of the nineteenth ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Rich’-ärd Varg’-na) 1813–83 German composer Wagner is one of the most influential and controversial composers in the history of classical music. He was born in Leipzig and educated there and in Dresden. His later years were spent in Bayreuth, the home of the festival theatre and the yearly summer festival he founded, which still flourish today. The idea of Bayreuth ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Piano, vocals, arranger, 1898–1971) Memphis-born pianist Lillian Hardin joined King Oliver’s Creole Jazz Band in Chicago during the summer of 1921 and married fellow band member Louis Armstrong in 1924. She played on Armstrong’s Hot Five and Hot Seven recordings and also received some composer credits. The couple separated in 1931 and were divorced in 1938. Lil subsequently ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, 1910–53) One of the reasons that Django Reinhardt dominated conversations about the guitar so completely in the 1930s was his fortunate timing. He arrived on the world jazz scene through the Quintet of the Hot Club of France in 1934 – a year after the death of Eddie Lang and five years before the arrival of Charlie Christian. Belgian ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, b. 1930) Muhal Richard Abrams was one of the principal architects of free jazz in Chicago. After playing with Eddie Harris and the MJT+3, Abrams founded his Experimental Band in 1961 to explore original composition and new directions. In 1965 he founded the Association for the Advancement of Creative Musicians (AACM), which emphasizes creativity, professionalism and social ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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