SEARCH RESULTS FOR: hip%20hop
1 of 8 Pages     Next ›

Like so many of black America’s most enduring musical genres, hip hop was born out of invention. When, as the 1970s came to a close, a combination of disco and big record company involvement had diluted funk and soul to the extent that it had become boring to go out to a club on a Saturday night, something rumbled out of New ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Once hip hop had expanded beyond apparently using the hook lines from Chic’s ‘Good Times’ as the basis for just about everything, it quickly became as diverse as any other black music genre. Its evolution in recording studios took it way beyond the scope of conventional instruments. Can’t play piano like Herbie Hancock or bass like Bootsy ? So what ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

It is a common enough opinion that the words ‘British’ and ‘rap’ are contradictions in terms. Unfortunately, this is indeed the case and it is solely because of the language barrier: rap delivered in any form of English other than American does not sound authentic. To attempt rap in the Queen’s English became known as the ‘Derek B Syndrome’, after ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Rumbling out of Los Angeles with different beats, a different look and a very different attitude, gangsta rap was hip hop’s belligerent street child. This new sound grew up at black discos and parties away from mainstream interference, and so, much as the original hip hop had, it quite literally pleased itself and harked back to ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

When The Sugarhill Gang and Kurtis Blow made an impact on the mainstream pop charts in 1979, rap was immediately palmed off as a novelty. However, the style not only survived, but has proved to be so influential that, in varying degrees, pop, rock, heavy metal and reggae have all borrowed from hip hop ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

As the 1970s played out and disco took over, a new generation reacted against the commercial homogenization of black music by creating a completely new sound. This sound came from the streets and was accompanied by its own dress code, language, dance styles and attitude: hip hop was a way of life.  Whereas disco was symbolized by ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

It used to be easy to talk about rap or hip hop, because essentially everybody knew where they stood: the artists made 12-inch singles that didn’t get played on the radio; they dressed in acres of brightly coloured leather, with people break-dancing and body-popping around them; and nobody came from farther west than New Jersey. Back in the day ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

It has been argued that all rap is political: a genuine black street statement, giving voice to those outside the musical or social establishments in a way that connects with a similarly dispossessed audience, and so its very existence is a political act. While many will be justified in thinking this is patently nonsense, it is, actually ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Bass Guitar In 1951, guitar maker Leo Fender launched the first commercially available electric bass guitar, the Fender Precision. Compared to the cumbersome and often difficult-to-hear acoustic double bass, Fender offered an instrument that had many advantages. Not only was it louder because it was amplified – and more portable – it allowed for more precise intonation because ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Like the synthesizer, the sampler has had a huge influence on the course of electronic music. A sampler is an instrument that can record, store and replay brief sections of audio – ‘samples’. In many ways, the Mellotron might be regarded as the earliest example of a sampling instrument. However, the sampler really came into its own ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The snare drum and tenor drum both originated in the Middle East. Today, cylindrical drums like these are played in western classical music, and in pop, rock and jazz. They appear in marching and military bands, in the orchestra and as part of the drum kit. Cylindrical Drums The body of a cylindrical drum is usually made ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The snare drum is cylindrical. It has a wooden or metal frame with parchment stretched across either end. Stretched across the lower of these is a metal ‘snare’ which rattles when the drum is beaten. Another name for snare drums is ‘side drums’ because they were carried at the hip by army drummers. Snare drums are often used in Handel’s Music for ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The sousaphone was made to the specifications of the American bandmaster John Philip Sousa (1854–1932). A type of tuba, it has a dramatically wide bell, although it has been argued that the size of the bell has nothing to do with sound production or tone quality and everything to do with being eye-catching. The instrument encircles the player, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Unlike rock music, electronic music is made partly or wholly using electronic equipment – tape machines, synthesizers, keyboards, sequencers, drum machines and computer programmes. Its origins can be found in the middle of the nineteenth century, when many of electronic music’s theories and processes were conceived. In 1863 German scientist Hermann Ludwig Ferdinand von Helmholtz ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
1 of 8 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.