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Alt-rock guitarist John Frusciante (b. 1970) was born into a musical family in Queens, New York. While living in Los Angeles after his parents’ divorce, Frusciante became involved with the city’s punk-rock scene. Frusciante was particularly inspired by The Germs, teaching himself to play the songs on their first album before taking guitar lessons. He studied Jeff Beck ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

During the 1970s, tuneful hard rock loomed over the US charts like a fluffy, pink colossus. The arrival of baby-faced guitarist Tommy Shaw led Chicago rockers Styx to become the first American group to achieve four consecutive triple-platinum albums, and when Journey appointed singer Steve Perry, it made them one of the biggest bands in the world. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Western classical music since the seventeenth century, because it placed great emphasis on harmonic subtlety and tensions between keys, had been less interested in melodic flexibility (a maximum of 12 notes to the octave, while Indian music uses 22) and in rhythm (regular division into bars, normally of two, three, four or six beats; Indian ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The government-enforced isolation of Native Americans in the United States has fostered cultural independence, in contrast to the marked musical acculturation between the Hispanic-speaking and Amerindian societies in South America. But in modern times, North American groups have tended to set aside tribal differences and seek a pan-tribal cultural unity. The ‘Ghost Dance’, a religious cult led by Jack ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

At a time when expression was more important than maintaining classical forms, freer structures that enabled the communication of a single mood or idea became particularly popular with pianists as an alternative to sonatas. Schubert, for example, is best revealed in his short lyric pieces in which his melodic expansiveness is not constrained. His Moments Musicaux (‘Musical Moments’, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The influence of jazz on concert music stretches back almost to the emergence of jazz itself from roots in gospel, ragtime and blues. One of the most popular black American dances of the 1890s was taken up by Debussy in his ‘Golliwog’s Cakewalk’ (from the piano suite Children’s Corner, 1906–08). Ragtime found its way into Satie’s ballet Parade and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The term ‘counterpoint’ is derived from the Latin contra punctum (‘[note] against note’). It is generally understood to refer to a technique of composition in which continuous lines move (horizontally) against each other, as opposed to chordal writing, in which the sound can be thought of in vertical blocks. Strictly speaking, these two types of writing are called ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Unlike the ‘New German School’ of Liszt and Wagner, Schumann did not pursue a path of radical experimentation in form and harmony; his style more aptly encapsulates German literary Romanticism in music, interpreting the rhythms and melodic shapes of German poetry and folk music through his own ardent and whimsical nature, and incorporating themes and ideas from Goethe ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Sonata form was the most important principle of musical structure during the classical period, and has remained so up to the present day. It applies most often to a single movement, part of a sonata, symphony or quartet, but an independent movement, such as an overture, may also be in sonata form. Its principles affect ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The fundamental characteristics of Arab classical music are described in splendid treatises including those by al-Kindi (c. ad 801–873) and al-Farabi (d. c. AD 950), in which we read of melodic and rhythmic modes, aesthetics and the physics of sound. The classical music of the Arab world is unified by a system of modes called maqam – analogous to the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

On the face of it, barrels and music would seem unlikely bedfellows. Their alliance, however, goes back at least to the ninth century, when the first detailed description of a barrel organ appeared in an Arab treatise. Mechanics of the Barrel Organ The mechanical principle underlying all such instruments, from the automated organ and piano to ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Originally (and still occasionally) known as the ‘violoncello’, or ‘little violone’, the cello is tuned in fifths like the violin and viola, running bottom to top, C, G, d, a, the same tuning as a viola, but an octave lower. There were early experiments with a smaller five-stringed instrument (with an additional E string ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The electric steel guitar (also known as ‘Hawaiian guitar’ or simply ‘steel guitar’) is a solid-body, steel-strung instrument that relies on pickups and amplification to produce its sound. It has its origins in the Hawaiian music of the late-nineteenth century and is similar in sound and playing technique to resonator guitars such as the Dobro or National. Playing Technique The ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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