(Al-fred Shnit’-ke) 1934–98 Russian composer The most striking aspect of Schnittke’s music is its combination of a multitude of styles. His Symphony No. 1 (1972) contains quotations from many composers – from Joseph Haydn (1732–1809) to Pyotr Ilyich Tchaikovsky (1840–93). The Concerti grossi parody Baroque styles with a degree of wit. Unlike other exponents of collage style, Schnittke retains a ...
(Vocals, fiddle, 1880–1956) Reed, a singer and fiddler from Princeton, West Virginia, made his living playing at dances and church meetings and giving music lessons. Recording in the late 1920s, he observed contemporary life in songs like ‘How Can A Poor Man Stand Such Times And Live ?’– a catalogue of the ills that afflicted ...
1877–1962 French pianist In his early years, Cortot combined the piano with conducting, directing the first performance in Paris of Götterdämmerung at the age of 24. As a pianist he specialized in Romantic music, especially Schumann and Chopin, and in music by contemporary French composers. He co-founded the Cortot-Thibaud-Casals piano trio in 1906. Introduction | Modern Era ...
1912–79 English countertenor Deller was responsible for the revival of the alto voice in the concert hall and opera house. With his ensemble, the Deller Consort, he made many recordings of early music, and he recorded English lute-songs with Desmond Dupré. Introduction | Modern Era | Classical Personalities | Kathleen Ferrier | Modern Era | Classical ...
b. 1931 Austrian pianist Austrian-born Brendel studied in Zagreb and Graz and later attended classes with Edwin Fischer. He made his debut in Graz in 1948 and became well known in the 1950s through his many recordings. He is widely admired for his performances of the sonatas of Beethoven and Schubert. Introduction | Contemporary | Classical Personalities | Christophe Coin | ...
(Ja-chen-to Shâlse) 1905–88 Italian composer Born as a Count into the Italian aristocracy, and numbering Salvador Dalí and Henri Michaux among his acquaintances, Scelsi enjoyed early success as a composer – his Rotativa for three pianos, wind and percussion was conducted in Paris by Monteux – but after World War II, increasingly inspired by Eastern mysticism, ...
The Contemporary era can be dated back to Anton Webern’s death in September 1945. Webern’s influence on the generation of post-Second World War composers means that much of the music from the 1950s sounds more modern than music from the last 20 years. Composers such as Karlheinz Stockhausen (b. 1928) and Pierre Boulez (b. 1925) extended the 12-note, or serial ...
After the devastation wrought in Europe by World War II, the urgent task of rebuilding the continent’s war-torn urban fabric demanded radical solutions. These were found in the centralized urban planning advocated before the war by architects such as Le Corbusier and Ludwig Mies van der Rohe. Writing in 1953, the composer Karlheinz Stockhausen (1928–2007) created an explicit analogy ...
Composers of the twentieth century and up to the present have often been drawn to the music of the medieval and Renaissance periods. A relatively early example is Igor Stravinsky (1882–1971), who became interested in the fourteenth-century technique of hocket and in the harmonic experiments of the Italian composer Carlo Gesualdo (c. 1561–1613). Hocket has since inspired many composers, both ...
The political structure of Europe changed greatly during the second half of the nineteenth century. Germany and Italy became united countries under supreme rulers. The Habsburgs’ Austrian Empire, ruled from Vienna, became fragmented into Austria-Hungary. The borders of this new confederation contained the cauldron of difficulties that eventually developed into the confrontations which culminated in World War I in ...
The early nineteenth century was a period of insurgence in Europe, from the French Revolution in 1789 to the uprisings of around 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution transformed society, with a growing awareness of national identity ...
Camille Saint-Saëns (1835–1921) is said to have written the first film score with L’assassinat du duc de Guise (‘The Assassination of the Duke of Guise’, c. 1908). Many composers in the US and Europe followed suit, although few wished to make a career in films. A famous exception was Erich Wolfgang Korngold (1897–1957), whose scores include the Academy Award-winning The ...
Ideological divisions and oppressive regimes had a significant impact on the first four decades of post-war music, particularly in Eastern Europe. The 15 symphonies of Shostakovich are now widely seen as political statements, sometimes overt, sometimes covert, as with the Tenth Symphony (1953) and its haunting depiction of Russia under Stalinism. Dissent also found expression in the ...
If you look for country music’s Big Bang, there is nothing more momentous than Bristol, 1927. Within four summer days, two stars appeared that would change the cosmology of country – remap the sky. And it all happened in a disused office building in a quiet mountain town perched on the state line between Virginia and Tennessee. Why ...
Following the social and political upheaval of the French Revolution and the Napoleonic Wars, Europe enjoyed a short period of relative stability with Napoleon’s exile, the restoration of the Bourbon monarchy in France and the establishment of the Vienna Peace Settlement in 1815. However, in the early 1820s a number of minor revolts broke out in Naples and ...
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