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(Vocals, b. 1948) Although over time the name Alice Cooper came to attach itself to singer Vincent Furnier, it originally applied to the rock band that he fronted, the classic line-up of which comprised Cooper, Glen Buxton (guitar), Michael Bruce (guitar), Dennis Dunaway (bass) and Neal Smith (drums). After recording two albums for Frank Zappa’s Straight label ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocal/instrumental group, 1987–present) This Seattle group, Layne Staley (vocals), Jerry Cantrell (guitar), Mike Starr (bass) and Sean Kinney (drums), cut their teeth on a winning blend of metal and acoustic numbers before being remarketed as a ‘grunge’ act after Nirvana’s huge success. Their second album Dirt (1992) won acclaim and huge sales, a position cemented by Jar Of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The most successful librettist of the modern era was W. H. Auden, who provided texts for Britten’s first opera, Paul Bunyan and, in collaboration with Chester Kallman, for operas by Stravinsky (The Rake’s Progress), Henze (Elegy for Young Lovers, 1961; The Bassarids, 1966), and for less acclaimed works by John Gardner (1917–2011) and Nicolas Nabokov ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Like a great river that runs endlessly, forming numerous tributary streams as it flows, jazz continues to evolve over time. And no matter how far the River Jazz may flow from its source – whether through stylistic evolution or technological innovation – the essential spirit of the music remains intact. Granted, the more academic and esoteric extrapolations of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

During the mid-1960s, America’s military action in Vietnam was escalating out of control; students around the world were becoming more politically involved, civil rights and feminism were hot issues and the burgeoning youth movement was turning onto the effects of mind-bending drugs. Accordingly, certain strains of popular music melded attitude, experimentation and a social conscience, and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Verdi’s last opera, Falstaff was the third taken from William Shakespeare, this time from his Merry Wives of Windsor and Henry IV, Parts 1 and 2. Verdi wrote the opera when he was 79, but it was not his only comic opera, as is often supposed. There was another, Un giorno di Regno, which ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘Orpheus, a Legend in Music’ L’Orfeo, favola in musica consists of a prologue and five acts – a prolonged performance for its time. Monteverdi used several devices to extend the action of the opera. He wrote recitatives to be performed between the duets, as well as polyphonic madrigals, of which he was a master. Further additions included ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed: 1984–87 Premiered: 1987, Houston Libretto by Alice Goodman Act I On 21 February 1972, representatives of the Chinese armed forces are waiting at an airfield outside Beijing in order to greet President Richard Nixon on his arrival. The presidential Boeing, The Spirit of ’76, taxies to a halt. Nixon disembarks with his wife, Pat, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

John Adams, a purveyor of much-admired and accessible music has had his opera, The Death of Klinghoffer performed across the world. The troubling story, set on a cruise ship, addresses the murder of Leon Klinghoffer, a Jewish man, by Palestinian hijackers. While meeting controversy about its subject matter, it would seem that for previous ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Vocal/instrumental group, 1970–present) This best-selling American heavy rock band, frequently compared to The Rolling Stones and Led Zeppelin, centred on the relationship between principal members Steven Tyler (vocals) and Joe Perry (guitar). The pair came together in Boston, Massachusetts, with Joey Kramer (drums), Brad Whitford (guitar) and Tom Hamilton (bass). Their first album Aerosmith (1973) was ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Singer-songwriter, b. 1959) This Canadian singer-songwriter first found US success with his third album Cuts Like A Knife (1984). With material ranging from pleasing orthodox rock to lung-sucking ballads, the rest of the 1980s were fertile soil especially for rousing singles like ‘Summer Of ‘69’. Adams began the 1990s with the theme song from Robin Hood Prince Of Thieves ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

1814–97, French Cornélie Falcon’s singing career was brief. At 18 she made her debut at the Paris Opéra in 1832, singing the role of Alice in Giacomo Meyerbeer’s (1791–1864) Robert le diable. However, Falcon was a mezzo-soprano who wanted to be a soprano and ruined her full, resonant voice by forcing it too high. By 1838 her ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Davey Johnstone (b. 1951) rocketed to fame with the Rocket Man himself, Elton John, as the former Reg Dwight exploded on to the music scene in the early 1970s, rising from thoughtful love balladeer to raucous glam rocker/showman to international pop-music institution and legend. Except for a short period from the late 1970s to the early 1980s, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

American guitarist Joe Satriani is widely credited with pioneering the rock-instrumental style in the 1980s, opening up the genre for guitarists like Steve Vai, Eric Johnson and Yngwie Malmsteen. His talent for creating highly evolved music, using a pop-song structure with tuneful melodies before applying his own virtuoso skills, has made him one of the most successful ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

b. 1947, American One of the most influential musical figures of his generation, John Adams draws on numerous genres, including jazz, ragtime, swing, pop and rock. Indeed, although he has often been labelled a minimalist, Adams is more expressive than many such composers; his mature works blend the rhythmic energy associated with this ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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