Composed: 1834–37 Premiered: 1838, Paris Libretto by Léon de Wailly and Auguste Barbier, after Cellini Act I The Pope has commissioned Cellini to make a statue of Perseus. Balducci, the treasurer, is annoyed; he wants the commission to go to Fieramosca, who he also wants to marry his daughter Teresa; she is in love with Cellini. ...
1820–89, Italian Enrico Tamberlik, the Italian tenor, made his debut in Naples in 1841, as Enrico Danieli, singing Tebaldo in I Capuleti e i Montecchi, Bellini’s Romeo and Juliet opera. Afterwards, while at the Teatro San Carlo, Naples, he took the surname Tamberlik and retained it for engagements in London, St ...
1806–96, French Gilbert Duprez, the French tenor, made his debut aged 19 as Count Almaviva in Rossini’s Il barbiere di Siviglia. He went to Italy in 1829 to further his operatic studies, and remained there for six years. During this time, Duprez created the role of Edgardo in Donizetti’s Lucia di Lammermoor. He had arrived as ...
(Loo-e’ Ek-tôr’ Ber-lyoz’) 1803–69 French composer and critic Berlioz was the leading French musician of his age. His greatest achievements, and those for which he is best remembered, were with large-scale orchestral and vocal works, although he also wrote in other genres. He was rooted in classical traditions – his earliest influences included Gluck and the music of the ...
1803–69, French The French composer Louis-Hector Berlioz, who once wrote that the opera houses of his time were too large, did a splendid job of filling their auditoria with the mighty sound of epic opera. His opera output was small, consisting of only five completed works, but their impact transcended mere numbers. Berlioz’s first surviving opera ...
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