SEARCH RESULTS FOR: Bert Jansch
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A founding member of the band Pentangle, Bert Jansch (b. 1943) was born in Glasgow. He was heavily influenced by the guitarist Davey Graham and folk singers such as Anne Briggs. He has recorded 25 albums and toured extensively, influencing artists like Jimmy Page, Ian Anderson, Nick Drake and Neil Young. Jansch earned a Lifetime Achievement Award ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

c. 1490–c. 1546 Scottish composer Carver’s first composition may have been for the coronation of James V (1513); the Dum sacrum mysterium Mass is composed in 10 parts. Four of his other Masses remain extant and demonstrate the influence of Franco-Flemish style of composition characteristic of Josquin and others of the age. Recommended Recording: Missa Dum sacrum mysterium, Motets, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ne-ko-las’ Gôm-bâr) c. 1495–1560 Flemish composer Joining the Burgundian court around 1525, Gombert travelled widely with the emperor, Charles V, and composed music for state occasions. At a time when many composers were moving towards a style based on clear enunciation of the text and balanced phrases, Gombert wrote complex polyphony with long-breathed melodic lines, unbroken by ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Rock guitarist Albert Lee was born in Leominster, Herefordshire in 1943. The son of a musician, Lee started his musical career on piano, but like many of his generation, took up the guitar upon the arrival of rock’n’roll, inspired in particular by Buddy Holly. He played in various bands after leaving school at the age of ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Too often, the music created by so-called ‘shred’ guitarists comes across as too cerebral and serious to elicit enjoyment from any but the most die-hard shred fan. Fortunately for all other fans of instrumental guitar, Paul Gilbert (b. 1966) prefers to dish out his hungry-man portions of notes with humour and irreverence matched only by his technical ferocity. Gilbert ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Progressive-rock pioneers King Crimson have seen a revolving door of band members through its almost 40-year existence, including such highly respected musicians as bassists Greg Lake, John Wetton and Tony Levin, drummer Bill Bruford and guitarist Adrian Belew. But one figure has remained steadfast, and that is guitarist Robert Fripp (b. 1946). Born in Wimborne Minster, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The hold that the legend of Robert Johnson (1911–38) exerts on the blues is out of all proportion to his career and output. He died relatively unknown at the age of 27 and recorded just 29 songs. But those songs of dreams and nightmares, crossroads and hellhounds revealed a darkness at the heart of Johnson’s blues, expressed with a ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Few blues guitarists had more style and presence than Albert King (1923–92). At 6ft 4in (1.93m) and 250lbs (113kg), he cut an imposing figure onstage. Equally distinctive was his Gibson Flying V guitar, a right-handed instrument that King played left-handed and upside down. This gave him an unusual, tormented sound when he bent the strings on his fretboard. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Yo’-han Sho’-bârt) c. 1735–66 German composer Schobert went to Paris about 1760 and became established as a harpsichordist and composer in the employment of the Prince of Conti. He wrote 43 sonatas (or sinfonias) for harpsichord – most of them with accompaniments for strings – and five harpsichord concertos; they are warm and fresh in expression and often technically demanding. Mozart drew ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Al’-bârt Lôrt’-zing) 1801–51 German composer Lortzing’s youthful experience in theatres – acting, singing and conducting – was of immense value to his later vocation as a composer of operas, the largest and most important part of his output. His comic operas are his most characteristic works, portraying a homely, sentimental humour that has proved hugely popular in Germany. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Frants Shoo’-brt) 1797–1828 Austrian composer Described by Liszt as ‘the most poetic of all composers’, Franz Schubert (1797–1828) was both the heir to the great Viennese classical tradition of Haydn, Mozart and Beethoven, and the first true Romantic composer. In his short life, spent almost entirely in Vienna, he was known almost exclusively as a composer of songs ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ro’-bârt Shoo’-man) 1810–56 German composer Robert Schumann, in his life and music, embodied many of the central themes of the German Romantic movement: steeped in German literary Romanticism, he composed Lieder combining the melodic simplicity of German folk tradition with expressive harmonic setting, wrote poetically titled miniatures, and composed music rich in literary inspiration and allusion. His ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Oi’-gan Dal’-ber) 1864–1932 German pianist and composer Born in Glasgow to a ballet composer, at 17 D’Albert moved to Vienna, befriending the great Wagner conductors Richter and Bülow, as well as Brahms and Liszt, with whom he studied. Widely admired as a piano virtuoso (several of his six wives were noted musicians), D’Albert was increasingly drawn to operatic composition. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Eng’-el-bârt Hoom’-per-dink) 1854–1921 German composer Humperdinck studied in Cologne with Ferdinand Hiller and joined Wagner’s circle in Bayreuth. He assisted in the publication of Parsifal and was music tutor to Wagner’s son Siegfried, who later praised Hänsel und Gretel (1893) as ‘the most important opera since Parsifal’. Based on a tale by the brothers Grimm, the opera was composed while ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1848–1918 English composer Parry’s precocious musical talents earned him an Oxford music degree while still a schoolboy at Eton. From 1867 he studied with Sterndale Bennett and Macfarren at Oxford, where he became Professor of Music (1900–08); he then succeeded Sir George Grove as director of the Royal College of Music. Although he produced four symphonies and chamber music, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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