SEARCH RESULTS FOR: Billie Holiday
1 of 6 Pages     Next ›

Billie Holiday was entirely untrained as a singer, but drew on the example of popular recording artists such as Bessie Smith and Louis Armstrong in developing her musical approach. She was able to make much of poor songs as well as great ones. Her phrasing, intonation, attention to the weight and nuance of lyrics, and her lightly ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal/instrumental group, 1920s) The Hill Billies, led by pianist Al Hopkins (1889–1932), was the first band to employ the slighting term ‘hillbilly’, initiating a terminological debate that went on for decades. Originally based in Galax, Virginia, the band included fiddlers Tony Alderman (1900–83) and Charlie Bowman (1889–1962) and banjoist John Rector (d. 1985). The Hill Billies’ records ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

A musical ensemble is a group of two or more musicians who have come together to play music. In theory, an ensemble could contain any number of instruments in any combination, but in practice, certain combinations just don’t work very well, either for musical reasons or because of the sheer practicality of getting particular instruments and players ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Few would deny that the blues has played a more important role in the history of popular culture than any other musical genre. As well as being a complete art form in itself, it is a direct ancestor to the different types of current popular music we know and love today. Without the blues there would have been no Beatles ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, composer, b. 1930) Lincoln caps her long, diversified singing and acting career as an iconic songwriter and performer. Her first record, in the 1950s, was with Benny Carter’s orchestra; in the 1960s she recorded politicized material with then-husband Max Roach. In the mid-1980s she re-emerged, paying tribute to Billie Holiday and embodying an African-American ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Tenor saxophone, 1909–73) Ben Webster served an initial apprenticeship in ‘territory’ bands in the Southwest (including those led by Benny Moten and Andy Kirk) before moving to New York in 1934. He recorded with Billie Holiday and worked with a succession of notable bandleaders before joining Duke Ellington in 1940. He was a key member of Ellington’s legendary band of ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Bessie Smith was one of the greatest vocalists of the twentieth century; her emotional delivery and exquisite phrasing has been an influence on instrumentalists as well as innumerable singers, both male and female. Many of her records, including ‘Gimmie a Pigfoot’, ‘Woman’s Trouble Blues’, ‘St. Louis Blues’ and the song that became an anthem of the Great Depression, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1950) First heard in the 1970s with the Thad Jones-Mel Lewis Orchestra, then in the Broadway musicals The Wiz and Sophisticated Ladies and later in pop/jazz contexts, Bridgewater relocated to Paris in 1983. Leading a trio, she regained career momentum in the 1990s with tribute projects commemorating Billie Holiday, Horace Silver and Ella Fitzgerald ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1911–85) Few players have defined a big band from the drum chair as strongly as Jonathon ‘Jo’ Jones did with Count Basie. When the first Basie records came out in 1937, their rhythm section was both a revelation and a revolution – and brought jazz drumming into a new, more sleek modernity. A master of the steely ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Critic, producer, 1910–86) John Hammond was the most influential jazz critic, producer and social activist of the politically charged 1930s. A Vanderbilt descendant raised in social prominence and luxury on New York’s East Side, Hammond rebelled against his class, producing jazz records and pressing for racial integration. He played a key role in the careers of ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Trumpet, vocals, 1909–2000) By the time Jonah Jones came to prominence on New York’s 52nd Street, he had developed a fierce, intense attack that suggested Roy Eldridge without the high notes. He played and recorded with Stuff Smith from 1936–40 and on sessions with Teddy Wilson, Billie Holiday and Lionel Hampton. He worked with Cab Calloway ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Of all the great solo architects of the 1930s, none personified the smooth, penetrating sweep through space and time more ideally or organically than tenor saxophonist Lester Young. His fluid, unforced phrasing and undulating attack were matched to a cool, satin skin of sound that seemed to dispel all friction by decompressing the emotional density of the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, piano, b. 1979) An overnight sensation, Norah Jones’s debut album Come Away With Me (2002) won numerous Grammy Awards and its sales revitalized Blue Note Records. Introduced by her mother to Billie Holiday’s music, Jones won Down Beat Student Music Awards in 1996 and 1997 and studied jazz piano at North Texas State University prior to ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

While Louis Armstrong remained a pre-eminent jazz symbol in the public mind through the 1930s, and inspired many imitators (Taft Jordan, Hot Lips Page, Wingy Manone), younger and better-schooled musicians were coming up who could navigate the trumpet with great agility and dexterity. They would break through the perimeters that Armstrong had established in the 1920s and take ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, 1912–86) Although the physical brilliance of Art Tatum may have eluded most pianists in the 1930s, the more practical possibilities offered by Teddy Wilson made him the most influential pianist of the decade. Softening Earl Hines’ emphasis on the beat still further, Wilson’s style was centred almost wholly in his right hand, which spun smooth, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
1 of 6 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.