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One of the young gunslingers who invigorated the blues in the 1960s, Buddy Guy (b. 1936) wowed audiences with high-octane guitar histrionics and energy that were matched by a tortured vocal manner. Guy is a master of dynamics, allowing a song to drift towards oblivion before suddenly bringing it back to a crescendo of intensity. Notable fans have included ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

‘When I first heard of the electric guitar, I thought somebody was bullshittin’ me,’ says George ‘BuddyGuy. ‘We lived so far in the country I didn’t even know what an acoustic guitar was until my mother started getting mail-order catalogs’. In 2005, Guy, who was born in Lettsworth, Louisiana on 30 July 1936, stands ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Buddy Holly helped define and popularize rock’n’roll in its earliest days, when its future was in doubt and its existence was under attack. Strumming a Fender Stratocaster, he brought an extra dose of country to a sound that was still closely related to pure blues and rhythm and blues. He blazed a trail for white artists who, unlike ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Clarinet, b. 1923) Buddy DeFranco (Boniface Ferdinand Leonardo) became the leading clarinet player of the post-swing era. His liquid sonority and flowing improvisations drew on elements from both swing and bebop, but without settling fully in either camp. He served a big-band apprenticeship with Gene Krupa, Charlie Barnet and Tommy Dorsey in the mid-1940s, but is best ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1917–87) Bernard ‘Buddy’ Rich was a powerhouse drummer with a phenomenal technique, but he was also capable of great delicacy when required. He grew up in the family vaudeville act before joining Joe Marsala’s band in 1937. It was the beginning of a series of associations with major swing era bandleaders such as Harry James, Artie Shaw ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, multi-instrumentalist, 1906–2001) Born near Ripley, West Virginia, Oby Edgar Starcher performed on radio stations in Baltimore and elsewhere. From the 1940s until the late 1960s, he recorded for various labels and wrote songs such as ‘You’ve Still Got A Place In My Heart’ and ‘I’ll Still Write Your Name’, many of which were popularized by ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1936–59) Born Charles Holley in Lubbock, Texas, Buddy was one of the biggest names of the rock’n’roll era. Along with his group, The Crickets, he recorded for producer Norman Petty and created a series of instantly recognizable worldwide hits. He came from a strictly hillbilly background but incorporated both R&B and blues into ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1933–99) Knox came from the tiny west Texas town of Happy. His group, The Rhythm Orchids included future country-music executive Jimmy Bowen on upright bass. Their biggest hit, ‘Party Doll’ (1957), was recorded at Norman Petty’s studio in Clovis, New Mexico. Buddy’s style was light and melodic, and less aggressive than his contemporaries. ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, songwriter, b. 1941) The archetypal Texas troubadour, Clark cannot be called prolific, having released about 10 original albums since his 1975 debut, Old No. 1. Born in Monahans, West Texas, Clark worked in television, as a photographer and building boats and guitars. Influenced by bluesman Mance Lipscomb, he worked the Texas ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, b. 1952) Miller is short and stocky, just like Buck Owens, and applies a similar thick hillbilly twang to similar down-to-earth, hard-country songs. Julie Miller (vocals, b. 1956) is as tall and willowy as Joni Mitchell, and writes the same sort of poetic, folk-rock songs for the same sort of reedy ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Buddy Holly was born Charles Hardin Holley in Lubbock, Texas, on 7 September 1936. Buddy got a guitar in his mid-teens and started practising with friend, Bob Montgomery. They liked country and western but also had predilection for the blues. An Elvis gig in Lubbock in early 1955 alerted them to new possibilities. Buddy and Bob, as ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, 1933–99) Texas-born Knox formed The Rhythm Orchids at West Texas State high school with Jimmy Bowen (bass, vocals). ‘Party Doll’ (by Knox) and ‘I’m Stickin’ With You’ (by Bowen), recorded by Norman Petty, which possibly influenced Buddy Holly to choose Petty as his producer, were released as the two sides of a 1957 million-selling ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The bluesman who took the blues into the mainstream, B.B. King (b. 1925) is also its ambassador to the world. His solid, seasoned style is heard internationally. King’s style draws on the Mississippi blues of Elmore James and Muddy Waters, the Chicago blues of Buddy Guy and Magic Sam, and the West-Coast blues of T-Bone Walker ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Derek Trucks was born in Jacksonville, Florida in 1979. Trucks bought his first guitar at a yard sale for $5 at age nine and became a child prodigy, playing his first paid performance at age 11. Trucks began playing the guitar using a ‘slide’ bar because it allowed him to play the guitar with his small hands. By his ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin
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