SEARCH RESULTS FOR: Davey Graham
1 of 4 Pages     Next ›

Davey Graham (b. 1940) (originally Davy Graham) is a guitarist who is credited with sparking the folk-rock revolution in the UK in the Sixties. He inspired many of the famous fingerstyle guitarists, such as Bert Jansch, John Renbourn, Martin Carthy, Paul Simon and even Jimmy Page, who heavily based his solo ‘White Summer’ on Graham’s ‘She ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Davey Johnstone (b. 1951) rocketed to fame with the Rocket Man himself, Elton John, as the former Reg Dwight exploded on to the music scene in the early 1970s, rising from thoughtful love balladeer to raucous glam rocker/showman to international pop-music institution and legend. Except for a short period from the late 1970s to the early 1980s, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Indie guitarist Graham Coxon (b. 1969) was born in West Berlin, the son of an army bandsman. His early years were characterized by the itinerant army life until the family settled in Colchester in the late 1970s. The young Coxon was a Beatles fan and possessed a talent for art. He began to learn saxophone and then at 12, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocals, guitar, b. 1959) Graham was, like Alejandro Escovedo, an alumnus of The True Believers, who found in alt.-country an effective catalyst for fusing his Mexican-American childhood and his punk-rock youth. With a rumbling baritone not unlike Tom Waits’, Graham wrote haunting songs about real despair and possible redemption on such albums as 2002’s Hooray ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocal/instrumental group 1963–68) Though Dick Heckstall-Smith (saxophone), Jack Bruce (vocals, bass) and John McLaughlin (guitar) became respective mainstays of Colosseum, Cream and The Mahavishnu Orchestra, it is too sweeping to say that this group was most notable for those members who went on to greater success. The late Bond (vocals, keyboards, saxophone) was one of the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

A founding member of the band Pentangle, Bert Jansch (b. 1943) was born in Glasgow. He was heavily influenced by the guitarist Davey Graham and folk singers such as Anne Briggs. He has recorded 25 albums and toured extensively, influencing artists like Jimmy Page, Ian Anderson, Nick Drake and Neil Young. Jansch earned a Lifetime Achievement Award ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

John Renbourn (b. 1944) is a father of contemporary British folk music and an acknowledged master of fingerstyle guitar. He is best known for his collaboration with guitarist Bert Jansch and his work with the folk group Pentangle. Renbourn created music that fused British and Celtic folk with blues, jazz, British early music, classical guitar and Eastern forms. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Indie guitar legend Johnny Marr (b. 1963) was born John Maher in Manchester, England to Irish Catholic parents. He grew up in a household where music was a constant fixture, and he recalled, ‘I always had guitars, for as long as I could remember.’ Guitar technique came easily to young Johnny, and he quickly mastered ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Vince Gill (b. 1957) broke out of a respected but static 10-year career as a bandmember and solo act and into country stardom with the 1990 hit ‘When I Call Your Name’. Gill was in the forefront of the neo-traditional country movement and became one of the biggest crossover singing stars in Nashville. It helped that he was an excellent country ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Alternative music is often seen as a controversial idiom, reflecting those who have sought to change the existing styles by fusing it with others, or approaching it from a different angle. It is criticized by purists who believe in the folk ideal, but supported by those who argue that stagnant music is a dead music and that it ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Folk music in Britain has an erratic history, susceptible to the fickle fates of fashion and image and almost eradicated completely by the apathy of the people whose culture it represents. Yet a hugely colourful treasure chest of music and traditions survives in the network of folk clubs that still exist up and down the country. British folk clubs have ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Bugle Best known in its military guise, the bugle is one of the simplest of brass instruments in terms of construction, but it is very difficult to play. The single tube of metal has no valves to help create different notes, so players have to do all the work by changing their embouchure – a combination of the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Across the centuries and around the globe, many different forms of music have enjoyed mass appeal for a limited period of time. None, however, have been able to match the widespread influence of the popular music that erupted in America during the mid-1950s and, by the second half of the decade, was exerting its grip over ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Based on a series of eight Hogarth paintings, this opera was first performed on 11 September 1951 at Il Teatro La Fenice in Venice. In The Rake’s Progress, Stravinsky’s neo-classical style maintains a clear delineation of musical numbers separated by recitatives (accompanied by harpsichord), and as such it has often been considered a stylistic companion to the works of ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Vocal group, 1972–95) A multi-skilled foursome who operated from the self-owned Strawberry Studios, Stockport. Eric Stewart, Lol Creme, (both guitar, keyboards) Graham Gouldman, (bass) and Kevin Godley (drums) wrote, sang and produced four albums of inventive pop/rock from 1973–76. Their 1975 No. 1 ‘I’m Not In Love’ was also a Stateside smash. 10cc split ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
1 of 4 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.