SEARCH RESULTS FOR: D’Annunzio
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1863–1938, French D’Annunzio’s most famous influence on music was Debussy’s elaborate incidental music for his extraordinarily long play The Martyrdom of Saint Sebastian (1911). In fact, his connections with music were far wider. He was an extravagant eccentric and continually sought the company of musicians. The French pianist Raoul Pugno and the composer Nadia Boulanger collaborated on a setting ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1864–1932, German Born in Glasgow, D’Albert’s parents were German, with French blood. D’Albert eventually took Swiss nationality but not before he had studied with Arthur Sullivan in London, Hans Richter in Vienna and Liszt in Weimar. D’Albert was a prolific composer and completed some 20 operas of widely differing styles and subjects. His most publicly successful work ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Until it was reclaimed with an ironic wink by 1990s hipsters, easy listening had been hugely popular, but rarely cool. While the teenagers of the 1950s and 1960s were getting off on dangerous rock’n’roll and subversive R&B, their parents were sweetly cocooned in the music of Mantovani and Percy Faith. Easy listening music never launched any rebellions; no ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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