SEARCH RESULTS FOR: Edward Elgar
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1857–1934 English composer Elgar was born at Broadheath, near Worcester. His father ran a music shop in Worcester, where Elgar embarked on a course of self-instruction that made him total master of music’s craft and one of the world’s greatest orchestrators. Brought up a Roman Catholic in a Protestant community and a tradesman’s son, Elgar never felt socially ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1861–1908 American composer Although his training and early career were European, with studies in Paris and Frankfurt and posts in Darmstadt, MacDowell was a pioneer of American music, which he felt reflected ‘the youthful optimistic vitality and the undaunted tenacity of spirit that characterize the American man’. His strong European influences, with echoes of Grieg and Liszt ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

As ensemble music became more popular during the sixteenth century there was increased demand for wind instruments that could elegantly negotiate the lower ranges. Large versions of wind instruments intended for the higher registers lacked volume and agility and were often difficult to play. Various elements of existing instruments – the bass recorder’s crook and the shawm’s double reed, for ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The cornet is very similar to the trumpet in looks and playing technique. It is thought to have been invented by the instrument maker Jean-Louis Antoine in the 1820s. Antoine, who worked for the Parisian firm Halary, was one of a number of makers experimenting with the new valve technology that was revolutionizing brass instruments at the time. His ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Acoustic Guitar Throughout its history, the guitar has – perhaps more than any other instrument – managed to bridge the gap between the often disconnected worlds of classical, folk and popular music. Its roots go back to Babylonian times; by the 1500s it was prevalent in Spain, and is still sometimes called the Spanish guitar. Medieval versions – ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The violin family is a group of fretless bowed stringed instruments that has its roots in Italy. Four instruments make up the family: the violin, the viola, the violoncello (commonly abbreviated to cello), and the double bass. The characteristic body shape is one of the most recognizable in music; the particular acoustic properties this shape imparts have made the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

(An’-to-nyen Dvôr’zhak) 1841–1904 Czech composer Dvořák was the pre-eminent composer of the Czech national revival. Arguably his achievement was less fundamental than Smetana’s, but he developed a strong international profile and for millions his style epitomizes ‘Czechness’ in music. The Czech influence in his work is hard to demonstrate and he almost never quoted folksong, but the appeal of his ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1879–1962 English composer Ireland’s style is fundamentally English, drawing on his teacher, Charles Villiers Stanford (1852–1924), and on Edward Elgar (1857–1934), but he was fruitfully aware of Ravel and Debussy and, more guardedly, of the young Stravinsky. His attractive Piano Concerto (1930), London overture (1936) and his Satyricon (1946) have an agreeable wit; in other works he ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Composers at the end of the nineteenth century were awestruck by the music dramas of Richard Wagner. His colossal achievements could not be followed, and yet the challenge his music laid down, particularly in the realms of harmony, had to be reckoned with – either developed or rejected – by any European composer of the next generation. Music ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The late Baroque era (1700–50) was a time of major political change throughout Europe, involving a shift in the balance of power between sovereign states. Across the continent it was a period of almost continuous warfare, the effects of which were later felt in other parts of the world as a result of conflicting ambitions among the various trading ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

By the beginning of the eighteenth century, opera was established in some form in most major European centres. The basic types of serious and comic opera in both Italian and French traditions shared similarities, although the content and style of an operatic entertainment could vary according to whether it was intended to flatter a private patron, resound with ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The early nineteenth century was a period of insurgence in Europe, from the French Revolution in 1789 to the uprisings of around 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution transformed society, with a growing awareness of national identity ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The most successful librettist of the modern era was W. H. Auden, who provided texts for Britten’s first opera, Paul Bunyan and, in collaboration with Chester Kallman, for operas by Stravinsky (The Rake’s Progress), Henze (Elegy for Young Lovers, 1961; The Bassarids, 1966), and for less acclaimed works by John Gardner (1917–2011) and Nicolas Nabokov ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Once hailed by the Pope as ‘Defender of the Faith’ against Martin Luther, Henry VIII made an about-face when he declared himself primate of the Church of England in order to grant himself a divorce from his first wife, Catherine of Aragon. The political, religious and social results of Henry’s action are well-known; the impact on music was ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

There are many different instrumental interfaces through which it is possible to control synthesized or sampled sounds – the most common being the piano-style keyboard. The electronic musician is also able to access a wide range of sounds through electric guitar, string, percussion and wind instruments. These devices are, to a large extent, quite recognizably conventional, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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