SEARCH RESULTS FOR: Ernest Tubb
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One of honky-tonk’s most enduring and beloved figures, Ernest Tubb (1914–84) was born near Crisp, Texas, one of five children from a broken home. He began his career singing at local radio stations and working a string of day jobs – among them a ditch digger, drugstore clerk and brewery worker. As a young man, in ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(An-dra Âr-nest’ Mo-dest’ Gra’-tre) 1741–1813 Belgian (French) composer Born in Liège, Grétry studied in Rome and in 1767 settled in Paris. With the success the next year of Le Huron he quickly became the leading composer of opéra comique, having particular successes with Zémire et Azor (1771), La caravane du Caire (‘The Caravan of Cairo’, 1783) and Richard Coeur-de-Lion (‘Richard ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Âr-nest’ Sho-sôn’) 1855–99 French composer After qualifying in law, Chausson studied with Massenet and Franck at the Paris Conservatoire and absorbed Wagnerian style, attending the Bayreuth premiere of Parsifal on his honeymoon. All three influences pervade his highly polished oeuvre in all genres. Best known are his masterly Symphony in B flat (1889), his sparkling concerto for piano, violin ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, harmonica, guitar, autoharp, 1893–1968) Stoneman might be considered the first fully professional country artist. He saw the music’s potential and was involved in it from the 1920s to the 1960s, spanning music technology from the cylinder recording to the stereo LP. In the 1920s and 1930s, singing and playing harmonica, guitar and autoharp ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1741–1813, French Grétry, who was born in Liège, composed two intermezzi before he headed for Paris and his preferred genre, the opéra comique. His first success, Le Huron (1768), came a year after his arrival and was followed in 1769 by the equally well received Lucile and Le tableau parlant (‘The Talking Picture’). Grétry charmed French ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘Richard the Lionheart’ Composed: 1784 Premiered: 1784, Paris Libretto by Michel-Jean Sedaine Prologue Richard I has disappeared on his way home to England from the Third Crusade. Blondel, his squire and a troubadour, is trying to find his master. Act I Peasants are returning in the evening to their homes near Linz Castle. A local boy, Antonio ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1861–1936, Austro-American Schumann-Heink’s voice was renowned for its richness and wide range. Studies with Marietta von Leclair led to her concert debut in 1876 and her operatic debut in Dresden two years later, in Il trovatore. For many years she sang at Hamburg and Bayreuth, while also appearing at London’s Covent Garden in Wagnerian roles. Schumann-Heink made her ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1880–1959 Swiss-American composer Bloch studied in Belgium and Germany, and his early works are in a rich late-Romantic style that owes much to Richard Strauss; this stage culminated in his powerful opera Macbeth (1909). In the following years, he sought a language that would reflect his Jewish faith in music of fervent solemnity with Eastern colouring: the symphony with ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Country music has been euphemistically called ‘white man’s blues’ or ‘the poetry of the common man’. While both descriptions have elements of truth, neither is quite accurate. It is, in fact, a broad, nebulous, over-reaching category with no exact boundaries or parameters. Over the decades country music has grown to encompass a greatly varied assortment of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, fiddle, b. 1939) During the 1960s’ folk movement in the UK, Brian Golbey and banjo player Pete Stanley became leading international exponents of traditional music. Visiting the USA in 1970, Golbey was invited to appear on Nashville’s Midnight Jamboree by host Ernest Tubb (who strongly encouraged young, aspiring talents) as well as on WWVA’s famed ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, multi-instrumentalist, 1906–2001) Born near Ripley, West Virginia, Oby Edgar Starcher performed on radio stations in Baltimore and elsewhere. From the 1940s until the late 1960s, he recorded for various labels and wrote songs such as ‘You’ve Still Got A Place In My Heart’ and ‘I’ll Still Write Your Name’, many of which were popularized by ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1927) Born in Maynardville, Tennessee, Smith’s earliest hits – including ‘Let’s Live A Little’ (1951), ‘Let Old Mother Nature Have Her Way’ (1951), ‘(When You Feel Like You’re In Love) Don’t Just Stand There’ (1952) and ‘Hey Joe’ (1953) – came in the early and mid-1950s. As a singer, Smith started out in the honky-tonk ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, b. 1938) With his richly textured baritone, Pride had a nearly unmatched string of 29 No. 1 country hits from the mid-1960s until the late 1980s. Perhaps more significantly, Pride is merely the symbolic tip of the iceberg – only the most visible of many gifted but far less celebrated black singers who, just like their ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Hank Thompson (b. 1925) is one of the most difficult country stars to classify. His Brazos Valley Boys were for a number of years one of the most talented and revered of western-swing bands, yet Thompson was never really a western-swing performer. He recorded a number of songs that remain honky-tonk classics, but he was never just a honky-tonk ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Songwriter, vocals, guitar, 1929–2002) Harlan Howard, inspired by Ernest Tubb, first began reaping his songwriting rewards in the late 1950s. ‘Pick Me Up On Your Way Down’ (1958) was his first hit when recorded by Charlie Walker, followed by ‘Heartaches By The Number’ (1959), which covered country and pop by Ray Price and Guy Mitchell ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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