SEARCH RESULTS FOR: Eugene Onegin
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Eugene Onegin was written after the disaster of Tchaikovsky’s marriage in 1877, and was also influenced by his platonic relationship with his admirer and patron Nadezhda von Meck. Tchaikovsky began Eugene Onegin by writing the famous ‘letter scene’ from Act I, in which the heroine Tat’yana spends the night writing to Onegin, telling him of her love for ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Eugène Scribe (1791–1861) began his career as a dramatist for the Parisian popular stage, writing vaudevilles and comedies. This experience was crucial to his development of the French opera libretto, as he injected a new realism, pace and drama into serious and comic opera, and brought the two genres closer together. During his lifetime he wrote librettos ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1791–1861, French Eugène Scribe, the French librettist, scored his first success with Auber’s opéra comique La dame blanche (‘The White Lady’, 1825). However, Scribe concentrated mainly on French grand opéra, with libretti that matched the genre’s visual and musical grandeur and the dramatic on-stage action. Scribe formed a partnership with Auber, who set no less ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1899–1985 American conductor Born in Hungary, where he later had a career as a violinist, Ormandy started conducting in the US. After five years with the Minneapolis Symphony Orchestra, he moved to the Philadelphia Orchestra, where he was music director 1938–73. He specialized in large-scale Romantic orchestral works, but he also conducted new music. Introduction | ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1799–1837, Russian Russian composers of the High Romantic era were able to enjoy a ready-made source of stories for operas in the works of Alexander Pushkin. His first success was the romantic poem Ruslan i Lyudmila (1820), which Glinka used for his opera of the same name, first performed in 1842. Pushkin produced not only poetry, but essays ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1971 Russian-Austrian soprano After studies at the Conservatory in St Petersburg, she made her stage debut in 1994 at the Kirov (now Mariinsky) Opera, of which she remains a company member. Her US debut a year later (San Francisco) was followed by appearances at Covent Garden, Salzburg and the Metropolitan Opera (2002). She excels in both Italian ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1873–1938, Russian Almost entirely self-taught as a singer, Chaliapin began singing in Tbilisi and St Petersburg. He made a name for himself singing both Boris and Valaam from Modest Mussorgsky’s (1839–81) Boris Godunov (1874). Although best known for singing the Russian repertoire, Chaliapin performed in a wide range of operas, including those by Gioachino Rossini (1792–1868) and ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Goos’-taf Ma’-ler) 1860–1911 Austrian composer and conductor Gustav Mahler bestrode the world of music at the end of the nineteenth century. ‘My time will come’, he remarked about his often misunderstood compositions. For Mahler the conductor, due recognition did come during his lifetime, but another half-century had to pass before a fully sympathetic appreciation of his creative achievement was possible ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1832–1906, Russian Ivan Melnikov, the Russian baritone, was best known for creating the role of Boris Godunov in Mussorgsky’s opera in 1869. Trained in Russia and Italy, Melnikov had made his debut at the Maryinsky Imperial Theatre in St Petersburg only two years earlier, as Riccardo in Bellini’s I puritani. Melnikov continued to sing at the ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1856–1928, Italian Battistini was gifted with a beautiful baritone voice and after only a short period of study was given the opportunity to take on the leading role in Gaetano Donizetti’s (1797–1848) La favorite in 1878. Such was his success that Battistini embarked immediately on a busy schedule. His liquid, agile, high voice was ideally suited for the ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1840–93, Russian Tchaikovsky was an intensely emotional, painfully sensitive man, much given to depression and morbid states of mind. He almost went mad with grief when his mother died of cholera in 1854, when he was 14. To compound his melancholy mindset, Tchaikovsky was tortured by his homosexuality, and saw marriage as a possible solution. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Pi’-otr Il’-yech Chi’-kôf-ska) 1840–93 Russian composer Few composers from the second half of the nineteenth century have achieved as great a popularity as Tchaikovsky. For many listeners, the secret lies in his special gift for broad, arching melodies and his tendency towards agonized self-expression, rooted in a series of crises in his personal life, which fall easy prey ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

b. 1955 American baritone Regarded by many as the outstanding lyric baritone of his generation, Hampson has appeared regularly at the Vienna State Opera and the Met, and his repertoire encompasses Mozart’s Don Giovanni, Rossini’s William Tell, Verdi’s Macbeth and Simon Boccanegra, Thomas’ Hamlet and Tchaikovsky’s Eugene Onegin. He is an acclaimed singer of German Lieder ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

That music has a double history – a social and a stylistic one – is amply proven by its development in the second half of the nineteenth century. Its progress was marked, though not entirely determined, by the revolutions that swept Europe in 1848. There were perceptible changes of emphasis, not only in concert and operatic life from ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Modern Age was characterized by rapid and radical change and political turmoil. By 1918 the Russian tsar, the Habsburg emperor and the German kaiser had lost their thrones. The two Russian revolutions of 1917 resulted in a Communist government led by Vladimir Ilyich Lenin. The Austro-Hungarian Empire was fragmented to allow self-determination to the newly formed countries of Czechoslovakia ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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