SEARCH RESULTS FOR: Felice Romani
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1788–1865, Italian Felice Romani was greatly admired by around 100 Italian composers who sought to enlist his instinct for operatic drama and his ability to write elegant verse. Among them were Rossini, for whom Romani wrote Il turco in Italia (‘A Turk in Italy’, 1814) and Verdi, whom he provided with the libretto for Un giorno di regno ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Songwriters, 1940s–80s) Husband-and-wife songwriting team Boudleaux (1920–87) and Felice (1925–2003) Bryant composed many country classics, including ‘Bye Bye Love’ (popularized by The Everly Brothers), ‘Rocky Top’ (first popularized by The Osborne Brothers and covered by dozens of others) and ‘Let’s Think About Living’ (Bob Luman). Styles & Forms | Nashville & Beyond | Country Personalities | Johnny Cash | ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

‘The Elixir of Love’ Donizetti’s prolific output owed a great deal to the speed with which he was able to compose. He could compose operas at the rate of three or four a year. However, even this rate of production was overtaken by the mere fortnight it took him to write the music for L’elisir d’amore. This pastoral comedy was ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Sleepwalker’ Vincenzo Bellini’s two-act opera La sonnambula, which had a pastoral background, was first produced at the Teatro Carcano in Milan on 6 March 1831. The story derived from a comédie-vaudeville of 1819 and a ballet-pantomime of 1827, both part-written by the French dramatist Eugène Scribe. The title role, Amina, was created by Giuditta Pasta ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Norma, Bellini’s eighth opera and his masterpiece, followed hard on the heels of his La sonnambula when its first performance was given at La Scala less than four months later, on 26 December 1831. Once again, Giuditta Pasta created the title role, although this time she had parts of the opera transposed down to the key ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1797–1865, Italian Giuditta Pasta, who created the title role in Bellini’s Norma, was classed as a soprano, but was probably closer to a mezzo-soprano. On stage, she was majestic, and her acting was so powerful that, according to Stendhal, she ‘electrified the soul’. However, success did not come her way all that ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1801–35, Italian The musical abilities of Vincenzo Bellini were already well known in his home city of Catania in Sicily before he went to Naples at age 18 to study at the conservatory under Zingarelli. A competent pianist at age five, composer of his sacred music at six, the youthful Bellini’s ariettes and instrumental works were performed in ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Just as sports have their pantheon of greats, the country-music industry established its own Hall Of Fame in 1961 to honour its most influential figures and deepen public understanding and appreciation of the music’s rich heritage and history. A Pantheon Of Country Stars As of 2005, 62 artists and industry leaders – starting with Jimmie Rodgers (1897–1933) and songwriter ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

‘The Force of Destiny’ La forza del destino was commissioned by the Imperial Theatre, St Petersburg where it premiered in 1862. Verdi considered the opera an ‘excellent success’ with ‘opulent’ settings and costumes, although critics thought the tragic, lugubrious love story had a depressing effect on the audience. It was first performed in New York in 1865 and ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1792–1868, Italian By the age of 14, Gioachino Rossini could play the violin, cello, harpsichord and horn, and had written a buffo-style cavatina, a short solo song. In 1806, Rossini was studying at the Bologna Conservatory and wrote his first opera, Demetrio e Polibio. The next year he produced his first professional work ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Joo’-sep-pa Ver’-de) 1813–1901 Italian composer Verdi composed 28 operas over a period of 54 years. In his native Italy he became immensely popular early in his career, and by the time he died he was idolized as the greatest Italian composer of the nineteenth century. In other musical centres of Europe it took a little longer for Verdi’s genius to be ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Producer, record executive, 1915–98) This influential Westmoreland, Tennessee-born record producer started out as a piano player in pop dance bands before being hired as an assistant to pioneering Nashville producer Paul Cohen at Decca. From the late 1950s until the 1980s, Bradley produced the records and helped shape the musical identities of a host of stars, ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Everlys were born into a country music family; Don on 1 February 1937 in Brownie, Kentucky; Phil in Chicago – where father Ike had moved to play in bands with his brothers – on 19 January 1939. The family moved to Shenandoah, Iowa, to a regular slot on a local radio station, and Ike and Margaret’s ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The 1950s was the decade when the straitjacket imposed by the recent world war was loosened a little – and rock took full advantage. The Sun studios in Memphis and Chess Records in Chicago were the places to be as the likes of Elvis, Jerry Lee Lewis and Chuck Berry turned the existing generation gap into a chasm. Though he ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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