SEARCH RESULTS FOR: George Hamilton IV
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(Vocals, b. 1937) While still a student at the University of North Carolina, this smooth singer scored a pop hit with ‘A Rose And A Baby Ruth (1956)’. Moving to Nashville, Hamilton had his first country hit in 1963 with the ballad ‘Abilene’, which also did well in the pop charts. Throughout the 1970s and 1980s, while ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Liverpool’s most famous sons, The Beatles, were wartime babies: Richard Starkey (Ringo Starr) born 7 July 1940; John Winston Lennon born 9 October 1940; James Paul McCartney born 18 June 1942; and George Harrison born 24 February 1943. All four families moved at least once at the end of the war as Liverpool was rebuilt and renovated. They were ...

Source: The Beatles Revealed, by Hugh Fielder

Spring Origins of The Quarry Men The skiffle craze that swept Britain in the mid-Fifties, spearheaded by Lonnie Donegan, was a defining influence on all four Beatles. They badgered their parents for cheap acoustic guitars and strummed clumsily along to songs like ‘Cumberland Gap’ and ‘Rock Island Line’. John Lennon, a rebel looking for a cause, was ...

Source: The Beatles Revealed, by Hugh Fielder

February George Joins Despite his friendship with Paul McCartney, George Harrison didn’t get to see The Quarry Men until 6 February at the Wilson Hall, Garston. ‘I remember being very impressed with John’s big thick sideboards and Teddy Boy clothes.’ He did an impromptu audition on the bus home. A few days later McCartney asked John Lennon what ...

Source: The Beatles Revealed, by Hugh Fielder

January Beginning of Lennon and McCartney The gigs started drying up for The Quarry Men in the autumn of 1958 and by January 1959 there was nothing on the horizon. John Lennon had also been devastated by the death of his mother, killed by a speeding car. George Harrison drifted off to join the Les Stewart Quartet but Lennon, ...

Source: The Beatles Revealed, by Hugh Fielder

May Stuart Sutcliffe Joins Although the bookings had dried up again at the beginning of 1960, John Lennon’s art school friend Stuart Sutcliffe was persuaded to join the band on bass. Having sold a painting for £65 he was able to buy a big, stylish Hofner bass that he couldn’t actually play. But no matter; it looked good and ...

Source: The Beatles Revealed, by Hugh Fielder

March Second Hamburg Stint The Beatles returned to Hamburg at the end of March for a three-month residency at the Top Ten Club. The money was marginally better and Paul McCartney was able to afford to buy his first trademark Hofner violin-shaped bass, but the hours were longer: seven hours a night, eight at weekends. Sometimes they shared the ...

Source: The Beatles Revealed, by Hugh Fielder

January The Decca Audition Using his contacts as a record shop manager, Brian Epstein approached Decca Records and, after A&R manager Mike Smith had seen The Beatles at the Cavern, they were asked to audition in London on 1 January 1962. The band endured a 10-hour drive down on New Year’s Eve in stormy conditions and the following ...

Source: The Beatles Revealed, by Hugh Fielder

The larger positive organ was not intended to be moved. The biggest difference between medieval and modern organs is that the positive organ’s pipes were all of the same diameter; the pitch was defined by the length. This caused variation in tone quality across the range, making it ‘flutier’ as the pipes became shorter. Gradually organ-builders introduced ‘reed’ pipes, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Jazz and R&B star George Benson (b. 1943) seemed destined for a respected but low-key career in cool jazz until he adopted a funky hybrid of jazz and soul for the 1976 album Breezin’. Driven by accessible instrumentals and a smash reworking of Leon Russell’s ‘This Masquerade’, the album made Benson the biggest star to cross over from jazz to pop ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

For 35 years Mike Oldfield (b. 1953) has created work that melds progressive rock, folk, world music, classical music, electronic music, new age and dance. He is best known for his hit 1973 album Tubular Bells, which provided a theme for the movie The Exorcist, broke new ground as an instrumental concept album, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Legendary ‘lost’ psychedelic genius Syd Barrett was born Roger Keith Barrett in Cambridge in 1946. He learned to play guitar at the age of 14 and formed his first band in 1965. While attending art college in London, he joined the embryonic Pink Floyd. Floyd began by playing blues and rhythm and blues covers, but soon developed the improvisational ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Joe Bonamassa, born in 1977, began playing guitar at the age of four on a small instrument given to him by his father. By the age of seven, he was playing Stevie Ray Vaughan songs on a full-size guitar. Bonamassa began performing in upstate New York at the age of 10 and was discovered by the blues great ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Exploding on to a generally lethargic blues scene in 1983 with his Texas Flood album, Stevie Ray Vaughan (1954–90) administered a high-voltage charge that revitalized the blues with his stunning, ecstatic playing and imagination. He took inspiration from the most stylish of his idols – Jimi Hendrix, Buddy Guy, Howlin’ Wolf, Albert King – but it ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

With his wide range of standard and unorthodox techniques, George Lynch (b. 1954) became a guitarist’s guitarist as he cruised through the various incarnations of his bands Dokken and Lynch Mob. Born in Spokane, Washington, and raised in California, Lynch became lead guitarist of Dokken in 1980 after auditioning for Ozzy Osbourne in 1979 and losing out ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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