1843–1916, American The most influential American writer of the nineteenth century, James was known for a style that brimmed with psychological study and character analysis. Not too surprising, then, that his father was a writer of philosophy, while his brother was considered among the most important philosophers of his day. After attending Harvard Law School for ...
1491–1547 King of England and composer From his coronation in 1509 until his death in 1547 Henry VIII led his country in a permanent split from the Catholic church, and he depleted the savings accumulated by his parsimonious father in a series of wars he lost against France. On the brighter side, he was a generous patron of music. ...
Louisiana native James Burton (b. 1939) is one of several guitarists weaned on country music who parlayed his unique talent into session and tour work with rock musicians while maintaining his ties to the country community. Burton first achieved local fame as a backing musician on the popular ‘Louisiana Hayride’ radio show, which spotlighted a young Elvis and rivalled ‘The ...
The swooping, full-octave slide-guitar riff that opened Elmore James’s (1918–63) first record, ‘Dust My Broom’, in 1951 not only electrified the legacy of Robert Johnson, it also established one of the basic riffs of post-war blues. Bottleneck guitar had always been part of the blues, but James was the first to use it in a hard rocking ...
1596–1662 English composer Henry Lawes served in the Chapel Royal of Charles I and, in the early part of his career, composed theatre music known as masques. By the early 1630s, Lawes had cultivated a friendship with the poet John Milton, with whom he collaborated on two masques, Arcades (1630), the music for which has not ...
1659–95 English composer Henry Purcell was, without doubt, the most distinguished English composer of the seventeenth century. Equally at home writing for the church, the theatre or the court, he also set a number of bawdy catches for which it is likely he also wrote the words. Unfortunately, little is known about Purcell’s private life. His ...
1746–1827 English composer and organist Born in Norwich, Hook was musically precocious, performing in public when he was six and composing an opera at eight. At 17 he settled in London as an organist, and soon obtained posts as organist and composer at Marylebone Pleasure Gardens and then (in 1774) at Vauxhall, retiring in 1820. A fluent ...
(Trumpet, 1908–67) The son of bandleader Henry Allen Sr., Henry ‘Red’ Allen was one of the greatest trumpeters to come out of New Orleans, although he remained eternally in the shadow of Louis Armstrong. He moved to New York in 1927 to join King Oliver’s Dixie Syncopators and in 1929 the Victor label signed him as an answer ...
(Piano, composer, 1894–1955) The seminal figure among the Harlem stride pianists, Johnson was a mentor to Fats Waller and composer of ‘The Charleston’, which launched a Jazz Age dance craze. Count Basie, Duke Ellington and Art Tatum were also directly influenced by Johnson’s skilful stride and compositions, including ‘You’ve Got To Be Modernistic’ – an evolutionary ...
(Trumpet, 1903–32) A key figure in the Duke Ellington Orchestra of 1926–28, Miley played a lead role on such classic pieces of early Ellingtonia as ‘East St. Louis Toodle-Oo’, ‘Black And Tan Fantasy’ and ‘Creole Love Call’. His uniquely expressive, growling trumpet style was influenced by the plunger mute approach of King Oliver, and served as one ...
(Vocals, quills, guitar, 1874–1930) A son of former slaves, Henry ‘Ragtime’ Thomas specialized in the quills, a panpipe-like instrument made from hollow reeds. He was itinerant for most of his life, a fact reflected in songs such as ‘Railroadin’, in which Thomas names train stops from Fort Worth to Chicago. His ‘Bull Doze Blues’, renamed ‘Goin’ ...
(Vocals, guitar, 1902–69) Born in Bentonia, Mississippi and raised on a nearby plantation, Nehemiah ‘Skip’ James played the guitar professionally from a young age and also taught himself to play the piano. His distinctive E-minor guitar tuning, three-finger picking technique and melancholy, high-pitched vocals gave him a unique sound, and his recording session for ...
(Trumpet, 1916–83) Harry James grew up in a circus and went on to become a media celebrity as a bandleader, a fame that only intensified when he married actress Betty Grable in 1943. James made his initial reputation as a formidable trumpet player with Benny Goodman’s band before forming his own group in 1938, but lost some of ...
(Tenor and alto saxophone, flute, b. 1925) James Moody was one of the strongest performers to double on flute in jazz, and was a resourceful and inventive improviser on all his horns. He joined Dizzy Gillespie from the US Air Force in 1946. A recording of ‘I’m In The Mood For Love’ (1949), made while living in Europe ...
(Piano, organ, vocals, 1939–83) James Carroll Booker III was born in New Orleans, Louisiana. He studied classical piano from the age of four and made his recording debut for Imperial at 14. He worked as a session musician in New Orleans from the mid-1950s and recorded for many different labels, as well as playing and arranging ...
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David Bowie
Fantastic new, unofficial biography covers
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