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‘The Triptych’ In constructing an operatic triple-bill, Puccini followed no precedent. He had nursed the idea for some time, to the despair of Giulio Ricordi, who felt it would be a box-office disaster. With the publisher’s death in 1912, Puccini soon felt able to work on the project. His librettist for La rondine, Giuseppe Adami, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Zhel Bansh-wa’) c. 1400–60 Franco-Flemish composer Binchois spent his formative years in Mons (now Belgium) and appears to have led a remarkably static life. In the late 1420s he joined the itinerant Burgundian court chapel, and served there with distinction until his retirement in the early 1450s, continuing to draw a pension until his death. Although he left a substantial ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ge-yom’ Düfa’) c. 1397–1474 French composer Du Fay is regarded as the leading musical figure of his generation, and his reputation in his own time is emphasized by his employment at many of the most important musical centres in Europe. He grew up in Cambrai, where his skills were recognized early by the ecclesiastical authorities, and in his late ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Hil-de-gart of Bin’-gen) 1098–1179 German Abbess and Composer Hildegard of Bingen was abbess of a convent at Rupertsberg near Bingen in Germany. When she was in her forties, Hildegard started to produce remarkable works of theology, science, healing, drama, history and music. She advised religious and secular rulers as well as undertaking preaching tours. She presented ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Ge-yom’ da Ma-sho’) c. 1300–77 French Composer and Poet Machaut was the most important poet-composer of fourteenth-century France and had a wide and enduring influence. He was in constant demand by the greatest noble patrons of his day, and his music reflects this patronage. He was unusual, although probably not unique, among medieval writers in that he made an ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Fe-lep’ de Ve-tre’) 1291–1361 French theorist and composer As a result of his treatise Ars nova (c. 1322) Philippe de Vitry was the most musically influential figure of his day. It described new developments in mensural notation, allowing composers more rhythmic flexibility and therefore compositional variety. Unfortunately, no songs known to be by Vitry have survived, but a number ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1543–1623 English composer Byrd’s early life is shrouded in mystery. He may have been born in Lincoln, but his formative years must have been spent at least partly in London; at some point in his youth he studied with Tallis. In 1563 he was made organist and master of the choristers at Lincoln Cathedral. He married in 1569 and in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

c. 1465–1523 English composer Cornysh served at the courts of both Henry VII and Henry VIII as a poet, actor and musician. His greatest moment was being chosen to head the Chapel Royal at the famous ‘Field of the Cloth of Gold’ in June 1520. Five polyphonic works by him are preserved in the Eton Choirbook; he also composed early ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vin-chant’-zo Ga-le-la’-e) c. 1520–91 Italian theorist and musician The father of Galileo Galilei, Vincenzo, also had a scientific mind. His experience as a lutenist and composer formed the practical basis for a significant body of music theory. His later works, especially, are heavily influenced by contemporary humanist enquiry into the nature of ancient music and, in particular ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Fe-lep’ da Mon’-ta) 1521–1603 Flemish composer In his early years Monte travelled in Italy and, although his maturity was spent at the Habsburg court, he became one of the most prolific composers of Italian madrigals, publishing more than 1,100 of them. His career lasted for over 50 years, making him a good measure of changing tastes in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Fe-lep’ Vâr-da-lo’) c. 1480s–1530s French composer Although French by birth and the composer of chansons and motets, Verdelot travelled to Italy early in his life, and is best known as one of the founders of the madrigal. He seems to have composed most, if not all, his madrigals in the 1520s, the genre’s first decade. Many of ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1574–1638 English composer Although not as prolific as some of his contem­poraries, Wilbye made a substantial contribution to the English madrigal. Like Weelkes, he was influenced by Morley’s light-hearted canzonets and ballets; later he turned to a more serious style, producing some of the repertory’s most poignant works. Madrigals like ‘Weepe O Mine Eies’ (1598) and ‘Draw on ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(A’-dre-an Vil-lârt) c. 1490–1562 Flemish composer Willaert was one of an important group of composers who settled in Italy and there adapted the Franco-Flemish style. He spent most of his career as maestro di cappella at St Mark’s, Venice. He gathered around him an influential group of musicians, inc­luding Rore and the great theorist Zarlino. His greatest publication was Musica ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Alternative guitarist and singer Jeff Buckley (1966–97) was born in Anaheim, California. Jeff barely knew his father, singer-songwriter Tim Buckley, who died when he was eight. His mother, Mary Guibert, was a classically trained pianist and cellist, which meant that music was all around when Buckley was growing up. He started playing acoustic guitar at ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Classical guitarist-composer John Christopher Williams (b. 1941) is a Grammy-Award winning Australian classical guitarist who has explored many styles beyond the classical tradition. John’s father Leonard (Len) Williams was an accomplished guitarist who emigrated from Britain to Australia and was best known there for his jazz playing. He taught John to play guitar, and it soon became apparent that the ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin
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