SEARCH RESULTS FOR: Iphigénie en Tauride
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‘Iphigenia in Tauris’ Gluck’s final tragédie for Paris, Iphigénie en Tauride, was his greatest success and is arguably his supreme achievement. With a tautly constructed libretto (by Nicolas-François Guillard, drawing on the play by Euripides), it represents the climax of Gluck’s efforts to ‘purify’ opera of dramatically superfluous decoration and display. The action moves forward swiftly and remorselessly. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Spring Origins of The Quarry Men The skiffle craze that swept Britain in the mid-Fifties, spearheaded by Lonnie Donegan, was a defining influence on all four Beatles. They badgered their parents for cheap acoustic guitars and strummed clumsily along to songs like ‘Cumberland Gap’ and ‘Rock Island Line’. John Lennon, a rebel looking for a cause, was ...

Source: The Beatles Revealed, by Hugh Fielder

February George Joins Despite his friendship with Paul McCartney, George Harrison didn’t get to see The Quarry Men until 6 February at the Wilson Hall, Garston. ‘I remember being very impressed with John’s big thick sideboards and Teddy Boy clothes.’ He did an impromptu audition on the bus home. A few days later McCartney asked John Lennon what ...

Source: The Beatles Revealed, by Hugh Fielder

January Beginning of Lennon and McCartney The gigs started drying up for The Quarry Men in the autumn of 1958 and by January 1959 there was nothing on the horizon. John Lennon had also been devastated by the death of his mother, killed by a speeding car. George Harrison drifted off to join the Les Stewart Quartet but Lennon, ...

Source: The Beatles Revealed, by Hugh Fielder

May Stuart Sutcliffe Joins Although the bookings had dried up again at the beginning of 1960, John Lennon’s art school friend Stuart Sutcliffe was persuaded to join the band on bass. Having sold a painting for £65 he was able to buy a big, stylish Hofner bass that he couldn’t actually play. But no matter; it looked good and ...

Source: The Beatles Revealed, by Hugh Fielder

March Second Hamburg Stint The Beatles returned to Hamburg at the end of March for a three-month residency at the Top Ten Club. The money was marginally better and Paul McCartney was able to afford to buy his first trademark Hofner violin-shaped bass, but the hours were longer: seven hours a night, eight at weekends. Sometimes they shared the ...

Source: The Beatles Revealed, by Hugh Fielder

January The Decca Audition Using his contacts as a record shop manager, Brian Epstein approached Decca Records and, after A&R manager Mike Smith had seen The Beatles at the Cavern, they were asked to audition in London on 1 January 1962. The band endured a 10-hour drive down on New Year’s Eve in stormy conditions and the following ...

Source: The Beatles Revealed, by Hugh Fielder

January ‘Please Please Me’ ‘Gentlemen, you have just recorded your first number one,’ producer George Martin told The Beatles after they’d completed ‘Please Please Me’. He was right … just. It was released on 11 January, the same day that The Beatles appeared on the influential Thank Your Lucky Stars networked ITV show. The single made the Top ...

Source: The Beatles Revealed, by Hugh Fielder

January First US No. 1 When ‘I Want To Hold Your Hand’ shot to No. 1 in the Cashbox chart on 18 January, having leapt from No. 43 to the top slot, The Beatles were in Paris on a three-week run at the Olympia, staying at the grandiose George V Hotel where they were also writing songs for ...

Source: The Beatles Revealed, by Hugh Fielder

February Ringo Marries Maureen Cox On 11 February a tonsil-less Ringo married Maureen Cox, the Liverpool girlfriend he’d been ‘going steady’ with since the Cavern Club days, at London’s Caxton Hall Registry Office. The ceremony was attended by Mr and Mrs Lennon and George Harrison who quipped, ‘Two down and two to go’. Paul McCartney was on holiday ...

Source: The Beatles Revealed, by Hugh Fielder

Jimi Hendrix remains the most innovative and influential rock guitarist in the world. He changed the way the guitar was played, transforming its possibilities and its image. Other guitarists had toyed with feedback and distortion, but Hendrix turned these and other effects into a controlled, personalized sound that generations of guitarists since have emulated and embellished. He was ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

In the second half of the twelfth century, the new cathedral of Notre Dame was the focus of an extraordinary effort by Leonin and others to create a whole new musical liturgy. Thanks to their efforts and to the presence of the increasingly independent University of Paris, whose curriculum was aimed towards ecclesiastical careers, the city became a ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Among the earliest humanist projects was the recovery and study of classical architecture. Many buildings from the Roman period still stood (some stand today); others were in ruins from which the originals could just be discerned. Study of these remains with reference to recently recovered classical architectural treatises led to a new school of architecture. The leader of this school was ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Gamelan music had a great influence in the West, notably at the 1889 Grand Universal Exhibition in Paris, where the shimmering timbre of the orchestra made a profound impression on Debussy and Ravel. The gamelan was introduced to the United States at the Chicago World’s Columbian Exposition in 1893. This musical style comes from the very diverse Indonesian culture ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Guido of Arezzo (b. c. ad 990/5) was perhaps the most influential music theorist of all time. He not only wrote one of the most widely read treatises of the Middle Ages, the Micrologus, but he also invented the system of lines for notating music that is still used today and a method of teaching melodies using the syllables ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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