The bluesman who took the blues into the mainstream, B.B. King (b. 1925) is also its ambassador to the world. His solid, seasoned style is heard internationally. King’s style draws on the Mississippi blues of Elmore James and Muddy Waters, the Chicago blues of Buddy Guy and Magic Sam, and the West-Coast blues of T-Bone Walker ...
(Trombone, arranger, composer, 1924–2001) J.J. (James Louis) Johnson was the premier bebop trombonist. His speed of execution and fluent, highly inventive approach to both melody and rhythm essentially devised a new language for an instrument that was not obviously made to suit the wide intervals and rapid articulation of the style. He took up trombone in ...
(Guitar, vocals, 1929–67) J.B. Lenoir was born in Monticello, Mississippi; his parents were farmers as well as musicians. He learned to play the guitar at the age of eight and left home in the early 1940s to work with Rice Miller and Elmore James, before settling in Chicago in 1949 and making his recording debut in ...
When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...
(Guitar, vocals, b. 1938) Cale gigged around his native Tulsa, Oklahoma before moving to LA in 1964. He issued his first record in 1971, after Eric Clapton’s hit with Cale’s ‘After Midnight’. Cale is still known to many only through covers of his songs and has always preferred to stay in the background of the blues scene; ...
(Guitar, vocals, 1926–83) The highly theatrical Joseph Benjamin ‘J.B.’ Hutto sang in the Golden Crowns Gospel Singers as a child and made his first records with his backup band, the Hawks, in 1954. Hutto then left the music business but returned, rejuvenated, 10 years later. He toured with various incarnations of the Hawks ...
(Vocal/instrumental group, 1930s) In 1934 Joseph E. Mainer (1898–1971) and his brother Wade (b. 1907), playing fiddle and banjo respectively, secured a slot on WBT in Charlotte, North Carolina. The group they assembled – adding singer-guitarists Daddy John Love and Zeke Morris – was an immediate hit, not only on radio but also on Bluebird Records with ...
(Banjo, guitar, vocals, b. 1937) James Dee Crowe was just a 19-year-old kid from Kentucky when he was hired by Jimmy Martin in 1956. By 1966 he had developed a banjo style that combined Earl Scruggs’ tumbling roll with Martin’s bouncy pulse. The line-up of Crowe, Bobby Slone, Tony Rice, Ricky Skaggs and Jerry Douglas ...
(Promoter, manager, radio personality, 1914–89) Working out of Washington, D.C., this North Carolina-born promoter and behind-the-scenes media wizard was a key figure in the rise of country music’s popularity in the 1950s and 1960s. Gay was instrumental in the careers of leading artists like Patsy Cline, Roy Clark, Jimmy Dean and Grandpa Jones. ...
(Vocalist, b. 1948) Pennsylvania-born Dalton (real name Jill Byrem) worked as a folk singer, recorded under the name of Jill Corston, and was part of the rock group Office before emerging in 1979 after producer Billy Sherrill heard a demo tape. Recording gritty, real-life songs, she won respect and a string of Top 20 country hits ...
(Vocals, songwriter, b. 1964) Norway’s O. J. Hanssen is one of Europe’s country-music success stories, having made three albums in Nashville. For 11 years, he divided his time between performing and serving as deputy sheriff in his home town of Mosjøen. With numerous nominations from the European CMA to his credit, his first Nashville album What’s ...
(Guitar, vocals, b. 1925) Riley B. King, from Indianola, Mississippi, is arguably the last surviving authentic blues artist. Orphaned, he took up guitar aged 15, turning professional after US military service. In 1947, he moved to Memphis and lived with cousin Bukka White. There, he worked on a local radio station, ...
(Vocals, b. 1938) Born James Smith, Proby’s career began on a Houston radio station in 1949, but by the early 1960s, he was an also-ran, taping demos for the similar-sounding Elvis Presley. However, on uprooting to Britain, a mannered vocal style, picaresque image and scandalous trouser-splitting publicity assisted the passages of ‘Hold Me’, ...
(Vocals, 1972–97) Born Christopher Wallace in New York, he sold crack to make ends meet which ended up in a jail term. Because of his large size he began rapping under the name of Biggie Smalls and an early demo eventually found its way to Sean Combs, a.k.a. Puff Daddy, who signed him to his ...
(Guitar, singer-songwriter, b. 1969) Hailing from the UK’s ‘West Country’, P.J. Harvey is now eight albums into her career. Trading in a primeval, highly feminine strain of blues rock, Polly Jean Harvey has moved from stripped-down rock to sophisticated acoustic ballads before a stomping brand of indie that is incendiary when caught live. She has influenced ...
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David Bowie
Fantastic new, unofficial biography covers
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sweep of incredible photographs.