SEARCH RESULTS FOR: Jean-Michel Jarre
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(Composer, b. 1948) Frenchman Jarre is best known for his 1977 hit ‘Oxygene’ taken from the album of the same name, which reached No. 2 in the UK. He was one of the first rock musicians to employ synthesizers. A series of instrumental albums in the 1970s and 1980s repeated the pattern, including Equinoxe (1978), Magnetic Fields (1981) ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Piano, keyboards, flute, soprano saxophone, percussion, b. 1945) Few artists are as demanding of themselves and their audiences as Allentown, Pennsylvania native Keith Jarrett. A child prodigy, Jarrett first caused a stir while playing in saxophonist Charles Lloyd’s quartet. In 1970, he joined Miles Davis on electric piano and organ. Jarrett soon eschewed ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

‘Alceste, or the Triumph of Alcide’ Composed in 1674, Lully’s Alceste, ou le triomphe d’Alcide, a tragédie lyrique with a prologue and five acts, had a double link with ancient Greek culture. The libretto, by Philippe Quinault, was based on Alcestis, a tragedy by the ancient Greek dramatist Euripides that in turn derived ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Castor et Pollux was considered Rameau’s greatest achievement after he revised it in 1754. The storyline revolves around the generosity of one twin brother willing to forsake his unique immortality so that the other may live, but their complex situation creates strong portraits of inner conflict and tension between other characters, Rameau conveys the magical forces of Hades, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Rameau’s magnificent Hippolyte et Aricie is a rare example of a major composer’s first attempt at opera also being one of his greatest achievements. However, Rameau was nearly 50 years old and already a respected and experienced musician when he composed it, and had evidently been contemplating the project for several years. The impressive literary quality of Pellegrin’s libretto ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Gallant Indians’ Composed in 1735, Les indes galantes is an opéra-ballet in which each act has its own setting and self-contained plot. Its four entrées include a scene set in a Turkish garden, Incas worshipping the sun in a Peruvian desert, a flower festival at a Persian market and a village ceremony in a North American forest. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Zhan Bar-ra’-ke) 1928–73 French composer A pupil of Olivier Messiaen (1908–92), Barraqué was profoundly affected by his relationship with Michel Foucault. He also shared many of Boulez’s concerns and believed in the necessity of serial technique, but did not follow the general trend of the 1950s into total serialism. Barraqué’s vision of music was far grander and he shared Ludwig ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1889–1963, French Cocteau was an exceptional and prodigious talent. Inspired by everything around him, he gained an international reputation as a playwright, novelist, poet, artist, opera librettist and filmmaker. After designing the set for Debussy’s opera Pelléas et Mélisande (1926), Cocteau wrote his first libretto for a Stravinsky opera-oratorio. Based on the Oedipus trilogy of ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1850–1925, Polish Jean de Reszke was a Polish tenor whose handsome face and fine physique suited him for romantic roles. He made his debut at the Teatro La Fenice in Venice in 1874, not as a tenor, but in the baritone part of Alfonso in Donizetti’s La favorite. He continued to sing baritone roles until he re-trained and ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Zhan Moo-tôn’) c. 1459–1522 French composer Having held various church jobs in France, Mouton joined the French royal court in 1502 and remained there for the rest of his life. Many of his motets are occasional works – written for a particular personage or special event that was taking place at court. He was probably among the musicians present at the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, b. 1933) Born Ollie Imogene Shepard, in St. Paul’s Valley, Oklahoma, Shepard was a pioneer whose honky-tonk earthiness and musical topicality broke new ground in the 1950s. A long-time member of the Grand Ole Opry, she first broke into the charts with ‘A Dear John Letter’ in 1953 and followed this with a string of ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Zhan Se-bal-yoos) 1865–1957 Finnish composer When Jean (Johan) Sibelius, Finland’s greatest composer, was born on 8 December 1865 at Hämeenlinna, his homeland had been ruled by Russia since Napoleon snatched it from Sweden. As a child he composed and played the violin, but he was 14 before taking up the instrument seriously. He enrolled in 1886 at the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1830–1914, French The French baritone Jean-Baptiste Faure – impressive on stage, with fine vocal discipline and strong dramatic sense – made his debut at the Opéra-Comique in Paris in 1852, singing Pygmalion in Galathée by Victor Massé (1822–84). Faure continued singing at the Opéra-Comique until 1859. Meanwhile, he taught singing at the Paris Conservatoire 1857–60. He performed ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1632–87, French Jean-Baptiste Lully was a French composer with an Italian background. He was born in Florence on 28 November 1632. His original name, later gallicized, was Giovanni Battista Lulli. In 1646, aged 14, he was placed with a noble household in Paris as a singer, dancer and violinist, and he became familiar with ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Zhan Ba-test’ Lü-le’) 1632–87 French composer Lully was an Italian by birth, but as a youth he accompanied the Chevalier de Guise to Paris, where he remained for the rest of his life. In 1653, Lully danced with the young King Louis XIV in the Ballet de la nuit, and it was from this point that he began ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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