Although routinely – and fairly – described as the father of country music, Jimmie Rodgers (1897–1933) was actually something more. Having established himself in that genre, he gradually moved towards mainstream popular music and, but for his early death, would probably have found a niche there. So far as country music is concerned, though, his ...
(Vocals, 1897–1933) Jimmie Rodgers, ‘The Singing Brakeman’, struggled against poor health and the rigours of the road to forge a new American folk music that would influence country music for generations. Rodgers wrote songs like ‘T.B. Blues’, ‘Travelin’ Blues’, ‘Train Whistle Blues’ and his 13 ‘blue yodels’. Rodgers’ voice and inherent honesty attracted legions of listeners. Rodgers developed ...
As a session guitarist, co-leader of the smash late-Seventies band Chic and star-making producer, Nile Rodgers (b. 1952) combined genres to create unexpected hits seemingly out of thin air. His funky guitar playing (along with partner Bernard Edwards’ bass) helped make Chic the most successful non-disco disco band, and his innate sense of rock and soul made a ...
(Clarinet, 1895–1944) The most fluid and graceful of the classic New Orleans clarinetists, Noone worked with trumpeter Freddie Keppard (1914) and also with the Young Olympia Band (1916) before following Keppard to Chicago in 1917. A member of King Oliver’s first Creole Jazz Band (1918–20), he also played in Doc Cooke’s Dreamland Orchestra (1920–26) before forming his popular Apex ...
(Bandleader, arranger, 1902–47) While working as a music teacher in Memphis, Mississippi-born Lunceford formed a band called the Chicksaw Syncopators. They first recorded in 1930 and after four years of touring gained a residency at the Cotton Club and became the Jimmie Lunceford Orchestra. Renowned for its polished stage presence, the band was nevertheless musically tight and ...
(Keyboards, vocals, b. 1942) Maurice Rodgers grew up sneaking into chitlin circuit clubs in his native Chicago and nearby Gary, Indiana. His distinctive songwriting combines funky arrangements with explorations of the metaphysics of the blues, notably on his 1999 debut Blues Is My Wailin’ Wall. He began performing in the mid-1960s in Los Angeles with T-Bone Walker ...
(Vocal/instrumental duo, 1927–33) The sound of the steel guitar has been part of country music almost from the beginning. An influential early exponent was Jimmie Tarlton (1892–1979), who partnered singer-guitarist Tom Darby (1891–c. 1971) in a series of duet recordings between 1927 and 1933, including two of the biggest hits of the period, ‘Birmingham Jail’ and ‘Columbus Stockade ...
(Vocals, 1899–2000) Born in rural Louisiana, Davis first made his name singing on radio station KWKH in Shreveport. From 1928 onwards, he was a popular recording artist, initially with sentimental and cowboy songs, then with raunchy blue yodels in the manner of Jimmie Rodgers. These included ‘She’s A Hum Dum Dinger From Dingersville’ and ‘Bear Cat ...
(Vocal/instrumental group, 1930s–50s) Jimmie Revard And His Oklahoma Playboys formed one of the best and most prolific of early western-swing bands. Revard (1909–91) was from Oklahoma but his band was based in San Antonio, Texas; the original band included Adolph and Emil Hofner, among others. In their heyday, the Playboys struggled locally to compete with The Tune ...
(Vocals, songwriter, 1909–79) Born in Blue Lick, Kentucky, James Skinner performed on radio stations in Knoxville, Tennessee, Huntington, West Virginia and elsewhere, worked in Nashville as a successful songwriter and also owned and operated a popular record store in Cincinnati, Ohio, for years. Styles & Forms | War Years | Country ...
(Vocals, songwriter, folklorist, 1907–98) James Corbett Morris, born in Mount View, Arkansas, started writing songs for the entertainment and edification of his students when he was a schoolteacher. He later penned some country classics, including ‘Tennessee Stud’ (a hit for Eddy Arnold in 1959), ‘The Battle Of New Orleans’ (a No. 1 single for ...
(Guitar, b. 1952) In addition to writing, producing and performing with Chic, Rodgers, along with long-time collaborator Bernard Edwards, undertook similar duties for Sister Sledge. The pair worked with Diana Ross on her 1980 Diana album and Deborah Harry’s Koo-Koo (1981). Rodgers went on to helm many high-profile albums – David Bowie’s Let’s Dance (1983), Madonna’s ...
From its roots, country music has been associated with simplicity – in melody, in subject-matter and in instrumentation, and it is this that has perhaps ensured its longevity. However, all good musicians make their craft look simple, and the history of country music is packed with virtuosos, from the pioneering banjoist Earl Scruggs, through ...
Acoustic Guitar Throughout its history, the guitar has – perhaps more than any other instrument – managed to bridge the gap between the often disconnected worlds of classical, folk and popular music. Its roots go back to Babylonian times; by the 1500s it was prevalent in Spain, and is still sometimes called the Spanish guitar. Medieval versions – ...
(Vocal/instrumental duo, 1930s–50s) Raised near Louisville, Kentucky, Cliff Carlisle (1904–83) was attracted as a boy to blues and Hawaiian music. His fusion of the two would make him one of the most distinctive musicians of his time. Playing the dobro resonator guitar with a slide, he transmuted the blue yodels of Jimmie Rodgers, becoming a popular ...
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