SEARCH RESULTS FOR: Lefty Frizzell
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Corsicana, Texas-born William Orville ‘LeftyFrizzell (1928–75) was the son of an oilfield worker who grew up in various ‘oil patch’ settlements in East Texas, Louisiana and Arkansas. His clenched-note, note-bending vocal style (characterized by a penchant for stretching and rephrasing individual words and lyric passages for heightened emphasis) and chart-topping early 1950s hits – ‘If You’ve Got ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Born on 12 September 1931, near Saratoga, Texas, in a remote region of East Texas known as The Big Thicket, George Glenn Jones is widely considered to be country music’s quintessential honky-tonk singer and probably the most influential artist to come along since Hank Williams’ death in 1953. Throughout his 50 years of record-making, Jones has ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The Lone Star State is steeped in tradition, producing both songwriters and swing bands. In the 1980s, the clean-cut George Strait And His Ace In The Hole band took the baton from such earlier legends as Bob Wills, Lefty Frizzell, Ray Price and Hank Thompson. Born on 18 May 1952, in Poteet (south of San Antonio), ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Even when he was sober, Jimmy Martin (vocals, guitar, 1927–2005) was willing to tell anyone who would listen why he was the ‘king of bluegrass’. After all, didn’t Bill Monroe’s sound change dramatically when Martin joined The Blue Grass Boys in 1949 ? Didn’t Martin create a brand new honky-tonk/bluegrass hybrid on his great Decca recordings of ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, songwriter, b. 1951) Born in Texas, Rodriguez played guitar from the age of seven, starting his career during a jail sentence for stealing a goat. There he wrote songs, occasionally utilizing Spanish lyrics. A prison guard alerted Tom T. Hall to his talent, and Rodriguez moved to Nashville, working as a guitarist with ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1955–89) Initially a bluegrass artist, Whitley began performing at the age of eight on the Buddy Starcher radio show from Charleston, Virginia. In 1970, Whitley and his friend Ricky Skaggs joined Ralph Stanley’s Clinch Mountain Boys, and during the 1970s, recorded with J. D. Crowe And The New South. He turned to ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

In the Bakersfield family tree, the likes of Bill Woods and Wynn Stewart set the stage, Buck Owens put the town on the map, and Merle Haggard was the heir apparent. ‘The Hag’, as he is often known, also had the distinction of actually being born in Bakersfield, on 6 April 1937. His parents, James ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, harmonica, 1910–68) Clyde Julian ‘Red’ Foley was born in Blue Lick, Kentucky, and was central to the surge in country music’s popularity in the 1940s and early 1950s with hits like ‘Smoke On The Water’ (1944), ‘Tennessee Saturday Night’ (1948), ‘Chattanoogie Shoeshine Boy’ (1950) and ‘Birmingham Bounce’ (1950). For three decades, Foley headlined ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

There is no distinct boundary line between the early​ and old-time country era, when the music was still relatively unshaped by the American mainstream, and the modern age, when country music’s popularity and ubiquity have made it very much a part of the mass culture. But it was in the 1920s, due to the emerging radio and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

At least until the 1930s and 1940s the dominant themes in country music were a celebration of bedrock rural values like family, faith, fidelity and the redeeming powers of true love and honest labour. The music served as much as anything to offer listeners comfort, reassurance and a soothing sense of place and identity. But as America’s national ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The names of this array of landmark artists whose music either straddled or transcended specific genres, – Johnny Cash, Dolly Parton, Tammy Wynette, Loretta Lynn, George Jones, Conway Twitty, Charley Pride and Buck Owens among others – have become synonymous with country music. During the 1950s, 1960s and 1970s, country’s popularity penetrated ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

From the urban cowboys came the neo-traditionalists, who offered a stark and welcome alternative. Their music, with its resolute devotion to earlier styles like honky-tonk, bluegrass and old-time country, bristled with the vitality and spirit of innovation that urban cowboy lacked. Emmylou Harris, a lovely, ethereal singer, came of age in the country and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

During the 1940s and 1950s country music coalesced from various and disparate sub-styles of regional music and emerged as a distinct genre. Nashville’s Grand Ole Opry was central to this newfound sense of identity, as it rose in popularity from an obscure local radio broadcast to a national entertainment institution. For decades, beginning in the 1930s, country music ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The arrival of the rockabilly phenomenon in the mid-1950s can be traced back directly to the rise of Elvis Presley (1935–77) and there is no doubt that he was the dominant influence on most of the young country boys who followed him. The impact of Presley can never be overstated, but at the same time he did not materialize out ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

One of the boldest innovations to coalesce in the 1940s was honky-tonk, a style that not only endures but continues to flourish in contemporary country music. Honky-tonk is a state of mind as well as a distinct musical style. Its roots extend back to the 1930s, though it was in the late 1940s and early 1950s that it came ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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