SEARCH RESULTS FOR: Merle Travis
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Merle Travis was both a vital cog in the development of the West Coast country scene and a major influence on a whole generation of guitarists. Highly innovative, he had a style of three-finger playing named after him – ‘Travis picking’ – and the equally skilled Chet Atkins well acknowledged the Travis influence, although the latter modestly shrugged off ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

In the Bakersfield family tree, the likes of Bill Woods and Wynn Stewart set the stage, Buck Owens put the town on the map, and Merle Haggard was the heir apparent. ‘The Hag’, as he is often known, also had the distinction of actually being born in Bakersfield, on 6 April 1937. His parents, James ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Songwriter, vocals, 1934–2005) One of Nashville’s most beloved characters, Chickasha, Oklahoma-born Kilgore was best known for penning classics such as ‘Ring Of Fire’ (a hit for Johnny Cash, 1963), ‘Wolverton Mountain’ (Claude King, 1962), ‘More And More’ (Webb Pierce, 1954) and ‘Johnny Reb’ (Johnny Horton, 1959). Styles & Forms | Nashville & Beyond ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Born Randy Bruce Traywick on 4 May 1959 in North Carolina, Randy Travis won a talent show at the age of 16, but found his music career progressed painfully slow. Hankering after a more exciting lifestyle, he dropped out of high school in the ninth grade. Music eventually came to his aid, but not without a great ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, b. 1963) James Travis Tritt burst on to the country-music scene in 1989 with a Top 10 single, ‘Country Club’. Utilizing strains of southern rock and expressing emotions of everyday people, he gained an audience with such singles as 1991’s ‘Here’s A Quarter (Call Someone Who Cares)’, his second chart-topper, ‘Anymore’, and ‘The Whiskey ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, comedian, author, 1919–91) A native of Bristol, Tennessee, Ernest Jennings Ford began his career on the West Coast as a dj after military service, catching the attention of Cliffie Stone, who made him a regular on the Hometown Jamboree radio and television shows. He began recording for Capitol in 1948 and initially made ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Guitar, producer, 1924–2001) Tennessee-born Chester Burton Atkins, whose father was a music teacher, was one of the most influential twentieth-century guitarists, and was initially influenced by the finger- and thumb-picking country-style playing of Merle Travis. Signed to RCA from 1947, he made scores of mainly instrumental albums, and in 1955 became the head of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

As the first superstar instrumentalist to emerge from the modern Nashville recording scene, Chet Atkins (1924–2001) was a living legend for most of his life, but the Nashville-based guitarist was also a producer, engineer, label executive and A&R man without peer. Chester Burton ‘Chet’ Atkins was born on in June 1924 in Luttrell, Tennessee. He started ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

One of modern country music’s most remarkable figures, Chester Burton Atkins born in Luttrell, Tennessee, rose from rural obscurity to become one of the world’s most celebrated guitarists and one of Nashville’s most influential record producers. Atkins’ musical vision did much to shape country music during the 1950s and 1960s. Early Years Atkins was born on 20 June ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, comedian, record producer, bandleader, 1917–98) Native Californian Cliffie Stone – the son of country comedian Herman the Hermit (a.k.a. Herman Snyder) – was a West Coast, one-man industry during the 1940s. Hard to pinpoint any particular activity, he began to get his name known on Stuart Hamblin’s Covered Wagon Jamboree before establishing ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, bandleader, 1918–92) Hank Penny was, with his Radio Cowboys, the most ardent exponent of western swing in the south-east prior to the Second World War. He relocated to California after the war and led excellent bands, though as time passed he eased towards comedy at the expense of music. He recorded prolifically from ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Lenny Breau (1941–84) was a Canadian guitarist who blended many styles of music, including country, classical, flamenco and jazz guitar. Breau, inspired by country guitarists like Chet Atkins, used fingerstyle techniques not usually associated with jazz guitar. Breau was born in Auburn, Maine. His French-speaking parents, Hal ‘Lone Pine’ Breau and Betty Cody, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

The original rock’n’roll lead guitarist, Scotty Moore (b. 1931) was born near Gadsden, Tennessee. Moore began playing guitar at the age of eight, largely self-taught. Although he aspired to playing jazz like Barney Kessel and Tal Farlow, he was also influenced by country guitarists like Merle Travis and, in particular, Chet Atkins. After Navy service ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocals, guitar, bandleader, 1917–85) One-time singer and bass player with Spade Cooley’s Orchestra, Sollie Paul ‘Tex’ Williams’ vocals were first heard on the Cooley hit ‘Shame On You’ (1944). It led to a recording deal with Capitol and, following disagreements with his boss, he was fired from the outfit. Disapproving of the sacking, most ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

There is no distinct boundary line between the early​ and old-time country era, when the music was still relatively unshaped by the American mainstream, and the modern age, when country music’s popularity and ubiquity have made it very much a part of the mass culture. But it was in the 1920s, due to the emerging radio and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer
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