SEARCH RESULTS FOR: Ralph Peer
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(Producer, 1892–1960) Peer entered the record business at the age of 19 in his home town of Kansas City, Missouri. By 1920, he was in New York running the OKeh label, where he supervised the first vocal blues recording by a black artist – Mamie Smith – and created a ‘race series’ of exclusively African-American recordings. He ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Radio and television personality, b. 1933) McEwen, Tennessee-born Walter Ralph Emery was for decades country’s most popular radio and television host, and he became as famous as many of the stars whose careers he helped launch. A long-time fixture on WSM Radio in Nashville, Emery also hosted various country music television shows in the 1970s, 1980s ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1872–1958 English composer Vaughan Williams studied with Parry, Stanford and, in Berlin, with Bruch, but was slow to find his unique personal voice. This was released by his study of English folksong (which he began collecting in 1903) and of Tudor church music, and by a further period of study with Ravel in 1908. He realized ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Although routinely – and fairly – described as the father of country music, Jimmie Rodgers (1897–1933) was actually something more. Having established himself in that genre, he gradually moved towards mainstream popular music and, but for his early death, would probably have found a niche there. So far as country music is concerned, though, his ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

As a member of the first family of country music, Maybelle Carter (1909–78) distinguished herself far beyond her role as accompanist to her brother-in-law A.P. Carter and his wife Sara (Maybelle’s cousin) in the Carter Family, the first recording stars of country music. Maybelle was born Maybelle Addington in Nickelsville, Virginia. In 1926 she married Ezra J. ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

The Carters (A. P. 1891–1960, Sara 1899–1979 and Maybelle 1909–78) are the most extensive clan in country music, encompassing three generations of performers and connections by marriage to other artists. This is fitting, for their musical influence is pervasive, too. Near the dawn of country music as a commercial entity, they were its first successful family ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

There is no distinct boundary line between the early​ and old-time country era, when the music was still relatively unshaped by the American mainstream, and the modern age, when country music’s popularity and ubiquity have made it very much a part of the mass culture. But it was in the 1920s, due to the emerging radio and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

If you look for country music’s Big Bang, there is nothing more momentous than Bristol, 1927. Within four summer days, two stars appeared that would change the cosmology of country – remap the sky. And it all happened in a disused office building in a quiet mountain town perched on the state line between Virginia and Tennessee. Why ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Bugle Best known in its military guise, the bugle is one of the simplest of brass instruments in terms of construction, but it is very difficult to play. The single tube of metal has no valves to help create different notes, so players have to do all the work by changing their embouchure – a combination of the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

From its roots, country music has been associated with simplicity – in melody, in subject-matter and in instrumentation, and it is this that has perhaps ensured its longevity. However, all good musicians make their craft look simple, and the history of country music is packed with virtuosos, from the pioneering banjoist Earl Scruggs, through ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Sound effects and instruments trouvés include found objects and specialist machines for making noises. Composers have made extensive use of both sound effects and found objects in orchestral music, especially in music for theatre, dance and opera. Sound Effects The wind machine was originally a theatrical sound effect, and is a cylinder of wooden slats with a canvas ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

A range of metal percussion instruments are found in the western orchestra, many of which have ancient and global origins. Triangle The triangle comprises a slim steel bar, circular in cross-section, bent into an equilateral triangle (18 cm/7 in each side) with one corner open. It is played with a metal rod, and is suspended from a ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Acoustic Guitar Throughout its history, the guitar has – perhaps more than any other instrument – managed to bridge the gap between the often disconnected worlds of classical, folk and popular music. Its roots go back to Babylonian times; by the 1500s it was prevalent in Spain, and is still sometimes called the Spanish guitar. Medieval versions – ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The tuba is essentially a large, valved bugle, designed to take the bass part in an orchestra or band. Like the trumpet, it is sounded by buzzing the lips into a mouthpiece. It is conically bored, like the horn, and consequently has a smooth, velvety sound. History The tuba is a youngster among brass instruments; ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The violin family is a group of fretless bowed stringed instruments that has its roots in Italy. Four instruments make up the family: the violin, the viola, the violoncello (commonly abbreviated to cello), and the double bass. The characteristic body shape is one of the most recognizable in music; the particular acoustic properties this shape imparts have made the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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