(Ot-to-re’-no Res-pe’-ge) 1879–1936 Italian composer As a young man, making his living as a violinist, Respighi studied briefly with Rimsky-Korsakov. This, and a remarkable ear, made him a master orchestrator, and his three sets of Roman Pictures (Pines, Fountains and Festivals of Rome) are vividly colourful and dramatic. His popular suites of Ancient Airs and ...
The flugelhorn (or flügelhorn: Flügel means ‘wing’ in German) is a cornet-like valved brass instrument, a member of the bugle family. It has a conical bore and three valves; in Britain these are invariably piston valves, but German and Austrian ones have rotary valves. The flugelhorn’s ancestor was a type of semicircular hunting horn carried by the hunt-master who ...
was imitated half a century later by ice-skaters Jayne Torvill and Christopher Dean in their gold-medal-winning performance at the 1986 Olympics. Introduction | Modern Era | Classical Personalities | Ottorino Respighi | Modern Era | Classical ...
That music has a double history – a social and a stylistic one – is amply proven by its development in the second half of the nineteenth century. Its progress was marked, though not entirely determined, by the revolutions that swept Europe in 1848. There were perceptible changes of emphasis, not only in concert and operatic life from ...
Camille Saint-Saëns (1835–1921) is said to have written the first film score with L’assassinat du duc de Guise (‘The Assassination of the Duke of Guise’, c. 1908). Many composers in the US and Europe followed suit, although few wished to make a career in films. A famous exception was Erich Wolfgang Korngold (1897–1957), whose scores include the Academy Award-winning The ...
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