SEARCH RESULTS FOR: Sidney Bechet
1 of 2 Pages     Next ›

(Soprano saxophone, clarinet, 1897–1959) A child prodigy who left school at the age of 16 and worked with various bands around New Orleans, the Creole clarinetist thrilled audiences and players alike with his soaring tone, forceful attack, penetrating solos, dazzling facility and unusually fast vibrato. In 1917, Bechet and King Oliver played together briefly ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The saxophone occupies an unusual position in that it is a bespoke instrument that has barely changed since its creation. Although it does not occupy the position in the orchestra its creator had envisaged, Adolphe Sax’s invention has played a central part in music ever since it burst on to the scene in the 1840s. Sax’s father, Charles, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Like a great river that runs endlessly, forming numerous tributary streams as it flows, jazz continues to evolve over time. And no matter how far the River Jazz may flow from its source – whether through stylistic evolution or technological innovation – the essential spirit of the music remains intact. Granted, the more academic and esoteric extrapolations of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, guitar, 1902–31) Barbecue Bob Hicks was a mainstay of the 1920s Atlanta scene. His 12-string guitar technique featured percussive, banjo-like flailing and sometimes a bottleneck slide, instead of the rag-style fingerpicking often associated with the Southeast. Hicks recorded over 60 sides for Columbia, including his trademark ‘Barbecue Blues’ (he had a day job at a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Clarence Williams was born in 1898 in Plaquemine, Louisiana, migrating to New Orleans in the teens to play piano in the District and begin a long career as a composer, bandleader and musical promoter. He was manager of two early jazz venues – the Big 25 Club and Pete Lala’s Café – hiring the best musicians in the ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Universally acknowledged as one of the twentieth century’s emblematic composers, Edward Kennedy ‘Duke’ Ellington used his long-standing touring orchestra as a tool to create wholly unique tonal colours and a distinctive harmonic language in jazz. His career was characterized by the close and long-lasting relationships that he struck up with particular musicians and other figures from the music business, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Instrumental group, 1900–17) The Eagle Band, originally led by Buddy Bolden, was an extremely popular and influential New Orleans ensemble. Frankie Duson (or Dusen) (1880–1940), a powerful tailgate trombonist, joined the band in 1906 and went on to take over the band when Bolden suffered a mental collapse the following year. Subsequently, Duson employed various Bolden ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Ridiculed as a braggart, pimp, card shark and pool hustler, the audacious, self-proclaimed inventor of jazz Jelly Roll Morton was also hailed as a pioneering composer, gifted arranger, dazzling pianist and the greatest entertainer that New Orleans ever produced. He was one of the first jazz musicians to strike a perfect balance between composition and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

By the time John Coltrane died in 1967 at the age of 40, he had experienced one of the most remarkable careers in music. ‘Trane’ was a compelling voice who contributed to some of jazz’s greatest innovations, from bebop to free jazz, resulting in both controversy and enduring success through critical and popular acclaim. Revered during his lifetime ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Alto and soprano saxophones, 1907–70) Saxophonist Johnny Hodges was fortunate enough to forge an early relationship with Sidney Bechet; while playing at Club Bechet in New York he won the attention of Duke Ellington, who signed him in 1928. Hodges’ sweeping tone and scooping glissandos remained a vital part of Ellington’s orchestra for around 40 years, with only ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, dancer, 1906–75) Born Freda Josephine McDonald, the St. Louis-born entertainer danced in the 1921 Sissle/Blake musical Shuffle Along before gaining a bigger role in their Chocolate Dandies in 1924, leading to appearances at the Cotton Club. The following year, she introduced ‘le jazz hot’ to Paris in La Revue Négre (also featuring Sidney Bechet) with ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

An incomparable figure in the history of jazz, Armstrong played with an unprecedented virtuosity and bravura, while retaining an individual tone and a deceptively laid-back style. In the early 1920s, he shifted the emphasis of jazz from ensemble playing to a soloist’s art form, while setting new standards for trumpeters worldwide. The sheer brilliance of his playing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Instrumental group, 1912–18) Freddie Keppard’s Original Creole Orchestra toured extensively during the teens as an early harbinger of authentic New Orleans jazz, reaching big-time vaudeville’s prestigious Orpheum circuit. Powerful pioneer trumpeter Keppard (1889–1933) had with him Creole clarinetists George Baquet, ‘Big Eye’ Louis Nelson and Jimmie Noone, pioneer bassist Bill Johnson and multi-instrumentalist Dink Johnson as a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1884–1955) Martin, an early classic blues singer, was signed by Clarence Williams for OKeh Records in 1922, at the beginning of the blues craze. While she was a pop-style singer, she was also able to pitch the blues in a rough-and-ready way. She recorded with Williams-led jazz groups, with such illustrious accompanists as King ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Soprano saxophone, 1934–2004) Born Steven Lackritz in New York City, Lacy began his career playing Dixieland music with veterans Henry ‘Red’ Allen and Rex Stewart, but became best known as a highly lyrical and adventurous champion of the soprano saxophone. His adoption of the straight horn, neglected since the heyday of Sidney Bechet, inspired John Coltrane ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
1 of 2 Pages     Next ›

AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

CURATED

Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

David Bowie

David Bowie

Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.